Archives for category: Book Recommendations

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Our friends at The Blue Hour Magazinea blog of poetry, prose, photography, and art have released their first print edition, THE BLUE HOUR ANTHOLOGY. Edited by Moriah LaChapell and Susan Sweetland Garay, the volume includes the editors’ favorite selections that appeared in the online magazine from November 2012 through March 2013.

The 155-page, 5×7″ THE BLUE HOUR ANTHOLOGY is perfect bound and printed in full color, with a cover that features original photography.

Contributors include: Aaron Poller, Adrian Theze, Afzal Moolla, Allie Marini Batts, Ambarin Afsar, Anne Bradshaw, Anne Britting Olsen, Annmarie Lockhart, Anthony Ward, Art Heifetz, Bruce Ruston, BZ Niditch, Calla Devlin, Carol Ellis, Carolyn Martin, Cher Bibler, Christy O Donnell, Constantine Mountrakis, Corey Mesler, David Schmidt, Donal Mahoney, Ed O’Dwyer, Elisha Stam, Elizabeth Cook, Elizabeth Derkson, Gale Acuff, Gerry Fabian, Gunta Norman, Heather Minettte, Ivan Jenson, James Babbs, Jason O’Rourke, Jay Coral, Jay Levon, Jeremy Nathan Marks, Jessica Miller, Jilliam Lukiwski, Joanna Lee, John Lee Clark, John W. Sexton, Joseph Briggs, Kerry Hormann, Liza Paizis, Lorraine Caputo, Mark Jackley, Martin Willitts, Meredith Szturm, Michele Seminara, Miguel Jacq, Mitchell Grabois, Moriah LaChapell, Nathaniel S. Rounds, Nirvair Singh Rai, Pamela Arlov, Paul Hostovsky, Philip Vermaas, Rafael Ayala Paez, Ray Sharp, Rebecca Gaffron, Russell Streur, Scott Clendaniel, Susan Hughes, Susan Sweetland Garay, William Doreski.

THE BLUE HOUR ANTHOLOGY is available for $15 (plus shipping) at etsy. A Kindle version is available for $4.00 at Amazon.com.

Congratulations to Moriah LaChapell and Susan Sweetland Garay on this wonderful new collection!

Congratulations to Gerald Locklin, whose poetry appeared in the recent Silver Birch Press Silver Anthology, on the Spout Hill Press release of three novellas — The Bear Trilogy.

As noted on the publisher’s website, Spout Hill Press “is dedicated to the beauty and elegance that can be found only in the novella…Our mission is to publish the best novellas we read, whether they are from long-established writers or those who are new to the field.”

Here’s a description of the three Locklin books from the Spout Hill Press website:

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The Case of the Missing Blue Volkswagen is Gerald Locklin’s classic post-modern epic of Los Angeles and gumshoe detectives. At once homage and spoof, the novella follows Bear, a private detective, as he searches for the eponymous blue Volkswagen through the meanest streets of the West Coast and into a more dangerous world, his subconscious. The novella is at once a comedy, a discussion of the detective genre, and a look into the various cultures and subcultures of the 1970s. (Available at Amazon.com)

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Come Back, Bear is Gerald Locklin’s long awaited sequel to The Case of the Missing Blue Volkswagen.  Where Locklin explored the subconscious and the idea of the detective novel in the first novella of the series, here he delves into the Western novel and the idea of loyalty. Locklin is at his best here as he becomes irreverent in his relationships, his love of the classic cowboy novel, and his view of America. (Available at Amazon.com)

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Last Tango in Long Beach completes Gerald Locklin’s trilogy of post-modern novellas that began with The Case of the Missing Blue Volkswagen and continued with Come Back, Bear. In this final story, Locklin explores the 1970s sex drama but backs away from his classic humor to take an inside look at the politics of a real couple. It takes a painfully accurate view of the way life can be in the long run even with people who love each other. (Available at Amazon.com)

Gerald Locklin‘s poetry will appear in the upcoming Silver Birch Press Green Anthology — scheduled for a March 15 release (just in time for St. Patrick’s Day).

ABOUT THE AUTHOR: Gerald Locklin has published fiction, poetry, essays, and reviews prolifically in periodicals and in over a hundred and fifty books, chapbooks, and broadsides. Recent or upcoming books include a fiction e-Book, The Sun Also Rises in the Desert, from Mendicant Bookworks, a collection of poems from 2008-present from PRESA Press, three simultaneously released novellas from Spout Press, a new edition of Gerald Locklin:  New and Selected Poems from Silver Birch Press (formerly from World Parade Books), and a French collection of his prose, Candy Bars: Le Dernier des Damnes, due May 7, 2013, from 13e Note Press, Paris. Event Horizon Press released new editions of A Simpler Time, A Simpler Place and Hemingway Colloquium:  The Poet Goes to Cuba in 2011; Coagula Press released the first of two volumes of his Complete Coagula Poems; and From a Male Perspective appeared from PRESA Press.

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Snoopy’s Guide to the Writing Life is on my holiday “must read” list. Sounds like the perfect read — humor, writing advice, plus the charming, incomparable Monsieur Snoopy in his atelier (i.e., doghouse roof) writing about dark and stormy nights.

Here’s a blurb about the book from Library Journal: Using the many Snoopy “at the typewriter” strips as jumping-off points, 30 famous writers as disparate as Ray Bradbury, Elmore Leonard, Budd Shulberg, Dominick Dunne, Danielle Steele, and Sue Grafton have written short pep talks, amusing anecdotes, or just useful advice to would-be writers based on their own experiences. Witty and charming, the essays offer much creative and practical wisdom. But the highlight of the book is the touching foreword by Charles Schulz’s son, Monte, who offers some striking insights into his father’s life, giving the reader a glimpse of the legendary cartoonist as a reader as well as a writer.

It appears that Snoopy’s Guide to the Writing Life is out of print, but copies are available at libraries — and used paperback editions are available at a reasonable prices (starting at $7.32) on Amazon.com.

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I’ve always been interested in learning which books some of my favorite authors admire. Today, to commemorate F. Scott Fitzgerald‘s belated birthday, I looked up the novels Fitzgerald recommended to Sheilah Graham — as chronicled in her memoir, College of One. The list includes Vanity Fair by William Makepeace Thackeray, Madame Bovary by Gustave Flaubert, The Brothers Karamazov by Fyodor Dostoyevsky, Cheri by Colette, A Lost Lady by Willa Cather, and Bleak House by Charles Dickens. According to Graham, Fitzgerald called Bleak House “Dickens’ best novel.” 

At 350,000 words – most editions are close to 1,000 pages – Bleak House is a doorstopper. I find the novel’s sheer size daunting. I can count on two hands the really, really long books I’ve read in my life. I’ve always said I’d rather read five 200-page books than one 1,000-page book (I plead eyestrain), but I have tackled Bleak House — though not at Fitzgerald’s recommendation.

I read an essay on Bleak House in Lectures on Literature by the notoriously critical Vladimir Nabokov (1899-1977) – the Wellesley and Cornell professor best known as author of Lolita. A native of Russia, Nabokov had him some opinions about English literature! But I’ll limit my comments to his thoughts on Bleak House by Charles Dickens.

All we have to do when reading Bleak House is to relax and let our spines take over. Although we read with our minds, the seat of artistic delight is between the shoulder blades. That little shiver is quite certainly the highest form of emotion that humanity has attained when evolving pure art and pure science. Let us worship the spine and its tingle.”

VLADIMIR NABOKOV

In Lectures on Literature, Nabokov praises Bleak House from every direction — but mainly focuses on the novel’s atmosphere, which Nabokov sees as a character in the book. He also lauds the unusual narration techniques — an omniscient third-person narrator alternating with a first person narrator (a young woman named Esther Summerson — the only female narrator in the Dickens canon).

About a decade ago, my New Year’s resolutions included “read Bleak House.” (You know, when you say to yourself: One way or another, I am going to finish this book!) And I enjoyed the novel so much, it didn’t take me a year to reach the final page.

A few years after I’d finished Bleak House, Masterpiece Theatre ran a multi-part adaptation — but I didn’t watch it. I knew the program could never live up to the story I’d pictured in my mind. And I realized that if the program had aired before I’d read the novel, I might never have attempted to make my way through the behemoth. (I’ll admit, I’ve  never been able to get more than halfway through Moby Dick.)

So if you’d like to commemorate F. Scott Fitzgerald’s belated birthday by reading one of his favorite novels, you can find an excellent online version from Pennsylvania State University here. (In an attractive, easy-to-read format.) This version is only 872 pages long. If you read five pages a day, you’ll be finished by spring. Enjoy! 

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The older part of Amristar, the original walled city, was full of bazaars – small ones that only the locals knew about, tiny bazaars that sold bangles and cloth very cheap but could be reached only on foot through tiny alleys; and the big, main bazaars where the streets were wider and the roads slightly cleaner. The bazaars of Amristar were busy places where every day, throughout the year, transactions were made, prices were bargained over, shops were opened in the morning and shut in the evenings. It was as if it had been so since the beginning of the world and would continue to be so till the end…

Money, congestion, and noise danced and eternal, crazy dance here together, leaving no moving space for other, gentler things. The actual walls that had once surrounded the city had fallen away long ago, but the ghosts of the wall still separated the old city from the newer one that flourished outside.***Excerpt from Chapter 1 of The Sari Shop by RUPA BAJWA

NOTE: I picked up The Sari Shop by Rupa Bajwa one day while browsing at the library. Since I enjoy reading about India, this story of a clerk at a sari shop appealed to me. During a three-hour train ride to San Diego (and a three-hour ride back to Los Angeles), I read this wonderful novel – and was transported from California to India throughout the journey. The main character, Ramchand, reminded me of Jay Gatsby – someone who gazes over the fence at the life the rich lead and embarks on a self-improvement program to become more like “them.” Poignant and compelling, The Sari Shop tells the story of a dreamer who aspires to fly out of the cage his caste represents – and enjoy the freedom to live without limits. I really loved this novel. Highly recommended! 

“An impressive debut, full of lean and lyrical prose.”

Ligaya Mishan, New York Times Book Review

Find a detailed product description and reviews at Amazon.com.

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“A capricious breeze escaped from a small hole in the ground in Mrs. Romero’s front yard at precisely the place where more than a year before the sinkhole had erupted. The freakish wraith of wind rose from the vent and moved, snakelike, across the dichondra lawn and then began a slow ascent into the sky, traveling in a lazy spiral, like a hawk riding hot thermals, rising higher and higher, until the effervescent current was circiling high over the dilapidated wooden structure at 410 Calle Cuatro, which for forty-eight of her eighty-two years Mrs. Romero had called home.

 The breeze then suddenly plunged into a sharp dive, gathering speed and momentum as it descended, honing in on Mrs. Romero’s house like a precision arrow finding its bull’s eye. As the gust of wind reached the house, it found an opening in the kitchen window and burst through like a sprinter crossing the finish line.

Inside, the octogenarian was busy beating the special batter for the wedding cake she had committed to bake for Rudy Vargas and María López’s big wedding…With her back to the pastry cookbook that lay open to a recipe for “Golden Cream Wedding Cake,” she did not notice when the rascally draft swept over the cookbook, rustling its pages from page 231 to page 238, the recipe for “Three-Tier Chocolate Layer Cake…”

Note: The above excerpt is taken from the short story “A Boogie-Woogie Wedding Cake” by Jesús Salvador Treviño (Found in The Skyscraper that Flew and Other Stories. This remarkable collection is available at Amazon.com)

Painting: “Lady” by Isblahblah, ALL RIGHTS RESERVED.

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I read Lying Awake by Mark Salzman shortly after reading a profile of the author by Lawrence Weschler (“The Novelist and the Nun”) in the Oct 2, 2000 issue of The New Yorker. In the article, Salzman reveals his multi-year battle with writer’s block that included several drafts his agent and publisher rejected and his difficulty working at home because his cat wanted to sit in his lap — making it hard to concentrate.

While he struggled to write and often had no idea where to take his story, he did have several brainstorms related to the cat. First, he fashioned a skirt from aluminum foil and wore it while he worked (the cat did not like to sit on the metal garment). One day, Salzman was wearing the tin foil skirt and nothing else (you know how it is when you work at home) and stood up to get something. He looked out the window and saw a man working on the telephone wires outside — the lineman shook his head in pity when he saw Salzman. It was time for another cat deterrent tactic.

Salzman took his laptop to his garage and worked in his car. His cat followed him and sat on the vehicle’s moonroof while Salzman attempted to complete his novel, which, in his words, he wrote with a cat’s a**hole staring down at him.

Somehow the author managed to complete Lying Awake, which went on to bestsellerdom and rave reviews. Here’s one from the Amazon Page that does a good job of summarizing the novel: “Using a very limited palette, Mark Salzman creates an austere masterpiece. The real miracle of Lying Awake is that it works perfectly on every level: on the realistic surface, it captures the petty squabbles and tiny bursts of radiance of life in a Los Angeles monastery; deeper down it probes the nature of spiritual illumination and the meaning and purpose of prayer in everyday life; and, at bottom, there lurks a profound meditation on the mystery of artistic inspiration.”

Note: I recently found a beautiful paperback edition of Lying Awake at one of my used books haunts, and will mail the novel to the first person (U.S. only because of postage rates) who leaves a comment on this post. This our third book giveaway.

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“The serious writer has always taken the flaw in human nature for his starting point, usually the flaw in an otherwise admirable character. Drama usually bases itself on the bedrock of original sin, whether the writer thinks in theological terms or not. Then, too, any character in a serious novel is supposed to carry a burden of meaning larger than himself. The novelist doesn’t write about people in a vacuum; he writes about people in a world where something is obviously lacking, where there is the general mystery of incompleteness and the particular tragedy of our own times to be demonstrated, and the novelist tries to give you, within the form of the book, the total experience of human nature at any time. For this reason, the greatest dramas naturally involve the salvation or loss of the soul. Where there is no belief in the soul, there is very little drama. ”

FLANNERY O’CONNOR

The Habit of Being: Letters of Flannery O’Connor is available at Amazon.com.

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In 1991, novelist Jonathan Franzen (author of The Corrections and Freedom) was browsing the shelves at the Yaddo library when he spotted a slim volume, Desperate Characters by Paula Fox. Franzen sat down and began to read — and didn’t leave his chair until he’d finished the novel.

When Franzen attempted to order a copy at a bookstore, he learned the book was out of print. After trying, without success, to convince people in the publishing business to reissue Desperate Characters, he eventually mentioned his reverence for the novel in a March/April 1996 Harper’s article entitled “Perchance to Dream: In the Age of Images, a Reason to Write Novels” (subscription required to read the article). Tom Bissell, an editor at W.W. Norton, took notice — and the company published the book in 1999, with an introduction by Franzen.

In his introduction, Franzen swoons over the novel, stating: “The first time I read Desperate Characters in 1991, I fell in love with it. It seemed to me obviously superior to any novel by Fox’s contemporaries John Updike, Philip Roth, and Saul Bellow. It seemed inarguably great.” 

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My first reading of Desperate Characters predated the Jonathan Franzen frenzy over the novel. I found a copy (cover at left) while browsing not at the Yaddo artists’ colony but at a Salvation Army store in Chicago and, like Franzen, ended up reading the book in one sitting. I agree that the novel is “inarguably great.”

What’s Desperate Characters about? Well, spelling out the story almost makes it sound inane — a woman feeds a stray cat, the cat bites her, and she spends the rest of the book wondering if she will perish from the bite. As Franzen put it, “I had never read a book before that was about the indistinguishability between an interior crisis and an exterior crisis.” 

A New York Times article by Melanie Rehak from 2001 discusses Franzen’s role in the reissue of Desperate Characters and describes the novel as “a ruthless, elegant portrayal of the social paranoia of a bourgeois Brooklyn couple named Sophie and Otto Brentwood.”

Find Desperate Characters by Paula Fox at Amazon.com. Fox, who will turn 90 next year, has led a fascinating life. More about that in another post.

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We are pleased to announce that Colleen was first to offer a comment about our REVOLUTIONARY ROAD post — and wins her very own copy of this amazing novel by Richard Yates. Visit Colleen — a recent UNC grad with a degree in English and advertising — at her blog Colleen Abroad, Passport to Somewhere: Because it’s never too early to start exploring the world…

Congratulations, Colleen! Thank you for visiting the Silver Birch Press blog!

Visitors, stay tuned for our next book giveaway — coming soon. 

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