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Cecilia Gimenez, 81, still doesn’t understand what all the fuss is about — and has no idea why news outlets around the world are criticizing her handiwork. (The arbiters of taste don’t like the way she restored a 19th century fresco of  Christ on the wall of her church in Borja, Spain.) But she knows her work is excellent — no matter what the elitists say.

After all, didn’t an early critic call Henri Matisse‘s work, “A pot of paint thrown in the face of the public”? Didn’t the art world call Picasso‘s cubist paintings “devilish and insane”? Didn’t they call Dali‘s surrealist works “deranged”? Cecilia feels that these examples — and many more  she won’t bother to cite — prove that the art elite don’t know the real thing when they see it.

But there was one art critic who understood — Clement Greenberg, who said: “All profoundly original art appears ugly at first.” So there!

Despite all the media attention, Cecilia found time to apply her craft to an Andy Warhol masterwork — his portrait of Marilyn Monroe (below). (For the uninitiated, Cecilia Gimenez’s version is on the right.) When asked why she had selected this particular painting for her next effort, Cecilia responded that she’s long been an admirer of the American icon and for years has modeled her hairstyle on the deceased blonde’s locks.

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