He shattered her glass
climbing over the table
to kiss her, that hot afternoon,
when she quoted his poem over wine.
It was free verse, abstract in part,
and difficult, he knew,
committing it to heart.
They kissed the afternoon away,
and on the drive back, kissed
through every stop sign and red light.
Between the kisses
he smoked a cigarette.
And, what she failed to reconcile
about that day, was the casual way
he tossed the ember from the window,
considering how hot and dry the summer,
how much fuel there was to burn.
NOTE FROM THE AUTHOR: “Neophyte and the Swan” is from my collection The Congress of Luminous Bodies. It is a tip of the hat, of course, to “Leda and the Swan” by William Butler Yeats and the myth from which that poem comes.
IMAGE: “Study for the Head of Leda” by Leonardo da Vinci (1506).
ABOUT THE AUTHOR: Donna Hilbert’s latest book is The Congress of Luminous Bodies, from Aortic Books. The Green Season, World Parade Books, a collection of poems, stories and essays, is now available in an expanded second edition. Hilbert appears in and her poetry is the text of the documentary Grief Becomes Me: A Love Story, a Christine Fugate film. Earlier books include Mansions and Deep Red, from Event Horizon, Transforming Matter and Traveler in Paradise from PEARL Editions and the short story collection Women Who Make Money and the Men Who Love Them from Staple First Editions and published in England. Poems in Italian can be found in Bloc notes 59 and in French in La page blanche, in both cases, translated by Mariacristina Natalia Bertoli. New work is in recent or forthcoming issues of 5AM, Nerve Cowboy, PEARL, RC Muse, Serving House Journal, Poets & Artists and California Quarterly. She is a frequent contributor to the online journal Your Daily Poem. Her work is widely anthologized, most recently in The Widows’ Handbook, Kent State University Press. Learn more at donnahilbert.com.