Archives for posts with tag: Actresses

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JOLTIN’ JOE
by Joan Jobe Smith

I’ve begun to drink from The Joe
DiMaggio Cup I’ve kept put away for
years, a black, rather pretty thing
with a wing-like handle Joe DiMaggio
drank Cappuccino from I served him
one night when I worked as a cocktail
waitress in a swanky hotel and when
Joe DiMaggio didn’t want a second one
I snuck the cup into my purse,
Joe DiMaggio’s lip prints were washed away
years ago but I like to imagine them
still there handsome-thick, dark Italian
barely middle-aged next to mine as I
sip from The Cup and wonder: if only
I hadn’t asked him something personal
about Marilyn Monroe, maybe he might’ve
flirted with my fishnet stockings
and asked me my name.

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The supreme question about a work of art is out of how deep a life does it spring.”

JAMES JOYCEUlysses

Photo of Marilyn Monroe by Eve Arnold

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MIRROR 
by Sylvia Plath

I am silver and exact. I have no preconceptions.
What ever you see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful —
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

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PHOTO: Actress Megan Fox curls up with SYLVIA PLATH: Collected Poems.

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Since May is “Get Caught Reading” Month, we will try to feature photos of well-known people reading books where we can, in fact, make out what they are reading. But this isn’t always easy — since the covers for many books change over the years.

On several obscure (to me) websites, I was able to find the cover for the edition of SYLVIA PLATH: Collected Poems that Megan Fox ponders in the photo above — but unable to locate it at the major online booksellers. It seems that the volume now sports a cover with a photo of Plath looking into the camera, in contrast to how she was depicted in the book’s previous incarnation — a coloring-book outline drawing of her looking down.

Another change in the newer edition: The word “the” has been added before “collected poems” — perhaps to let the reader know that this is “the” definitive collection of Plath’s work.

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JOLTIN’ JOE

Poem by Joan Jobe Smith

I’ve begun to drink from The Joe
DiMaggio Cup I’ve kept put away for
years, a black, rather pretty thing
with a wing-like handle Joe DiMaggio
drank Cappuccino from I served him
one night when I worked as a cocktail
waitress in a swanky hotel and when
Joe DiMaggio didn’t want a second one
I snuck the cup into my purse,
Joe DiMaggio’s lip prints were washed away
years ago but I like to imagine them
still there handsome-thick, dark Italian
barely middle-aged next to mine as I
sip from The Cup and wonder: if only
I hadn’t asked him something personal
about Marilyn Monroe, maybe he might’ve
flirted with my fishnet stockings
and asked me my name.

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During the final four years of his life, Henry Miller wrote more than 1,500 love letters (over 4,000 pages!) to his muse, a beautiful Native American actress named Brenda Venus. Originally published by Morrow in 1986 — six years after Miller’s death — the voluminous correspondence was edited into an approximately 200-page book, with commentary by Venus. When it came out, the book received rave reviews, including a sensitive, insightful analysis by Noel Young in the L.A. Times (2/2/1986). Here is an excerpt:

Henry Miller’s death in 1980 brought an end to one of the most extraordinary romances ever conceived, coming as it did from the impassioned mind of a man nearly 90, admittedly a physical ruin, and the good graces of a young actress, aptly named Brenda Venus, in the prime of her life. For Miller, it was love at first sight, kindling an ardor that kept him alive for four more years. He did what he did best — he wrote; and he laid it all on the line in more than 1,000 letters from which this volume is drawn.

An ordinary man, blind in one eye and partially paralyzed, might have taken to bed and wasted away, but not Henry Miller. Instead, he fell hopelessly, shamelessly in love and spilled it out in letters to his dear Brenda, wallowing in a euphoria that lasted to his end. He worked himself into a lather, at least on paper, and lived for those Thursday nights when she appeared at his door, took him by his arm and drove him to dinner at his favorite Japanese restaurant in the Hollywood Hills. One stormy night, to spare him hobbling through the puddles in the parking lot, she simply picked him up and carried him upstairs to the entrance. He accepted this with aplomb and a jaunty smile.”

Dear, Dear Brenda by Henry Miller (with text by Brenda Venus, edited by Gerald S. Sindell with an introduction by Lawrence Durell) is available at Amazon.com here.

Find out more about the fascinating Brenda Venus at her website, brendavenus.com.

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This Grey Goose Frame Shop window display featuring Gort from The Day the Earth Stood Still reminded me of Patricia Neal, who starred in the 1951 movie. Today marks the two-year anniversary of Patricia Neal’s passing. I shot the photo through my passenger window while at a stoplight on LaBrea Avenue.

During a phone interview shortly before her death, Neal recalled working on the film and her admiration for director Robert Wise, even though he chided her for laughing during her rehearsals when saying the famous line: “Klaatu barada nikto.” Neal assured Wise she would deliver the line with solemnity during her performance — and managed to pull it off (though she burst out laughing as soon as the director called “cut”). What a great actress! What a great movie!

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Today marks two years since the passing of Patricia Neal, an Oscar-winning actress I was fortunate to interview  about some of her Hollywood leading men (including Gary Cooper and Ronald Reagan). The phone interview occurred just a few months before Neal’s death from lung cancer, but she was warm, witty, and wonderful — and I had no idea she was ill at the time. I feel honored to have been the last person to interview this amazing artist, a true original who will live forever in her brilliant work.

I thought of Patricia Neal yesterday when I drove past the Grey Goose Frame Shop on La Brea Avenue in Los Angeles, where the windows included a display featuring images and figures from The Day the Earth Stood Still, the 1951 film in which Neal starred early in her career.  We had a good laugh over her dialogue in the movie (“Klaatu barada nikto”), which she told me she had trouble saying with a straight face. We will always miss you, Patricia!

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“The supreme question about a work of art is out of how deep a life does it spring.”

JAMES JOYCE, Ulysses

Photo: Eve Arnold

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MARILYN MONROE’S 400-VOLUME LIBRARY INCLUDED THESE NOVELS:

  • Crime and Punishment by Fyodor Dostoyevsky
  • Alice’s Adventures in Wonderland by Lewis Carroll
  • Madame Bovary by Gustave Flaubert
  • The Dubliners by James Joyce
  • The Sound and the Fury by William Faulkner
  • Brighton Rock by Graham Greene
  • Justine by Lawrence Durrell
  • Green Mansions by W.H. Hudson
  • A Farewell to Arms by Ernest Hemingway
  • The Invisible Man by Ralph Ellison

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TEN NOVELS IN MARILYN MONROE’S 400-VOLUME LIBRARY

  1. The Great Gatsby by F. Scott Fitzgerald
  2. Ulysses by James Joyce
  3. On the Road by Jack Kerouac
  4. Look Homeward Angel by Thomas Wolfe
  5. The Sun Also Rises by Ernest Hemingway
  6. Winesburg, Ohio by Sherwood Anderson
  7. Sister Carrie by Theodore Dreiser
  8. Tortilla Flat by John Steinbeck
  9. The Adventures of Huckleberry Finn by Mark Twain
  10. A Death in The Family by James Agee

Photo: Marilyn Monroe mural art, Hollywood, August 2012