Archives for posts with tag: America

Image
IN THE ELEMENTARY SCHOOL CHOIR
By Gregory Djanikian

I had never seen a cornfield in my life,
I had never been to Oklahoma,
But I was singing as loud as anyone,
“Oh what a beautiful morning. . . . The corn
Is as high as an elephant’s eye,”
Though I knew something about elephants, I thought,
Coming from the same continent as they did,
And they being more like camels than anything else.

And when we sang from Meet Me in St. Louis,
“Clang, clang, clang went the trolley,”
I remembered the ride from Ramleh Station
In the heart of Alexandria
All the way to Roushdy where my grandmother lived,
The autos on the roadways vying
With mule carts and bicycles,
The Mediterranean half a mile off on the left,
The air smelling sharply of diesel and salt.

It was a problem which had dogged me
For a few years, this confusion of places.
And when in 5th grade geography I had pronounced
“Des Moines” as though it were a village in France,
Mr. Kephart led me to the map on the front wall,
And so I’d know where I was,
Pressed my forehead squarely against Iowa.
Des Moines, he’d said. Rhymes with coins.

Now we were singing “zippidy-doo-dah, zippidy-ay,”
And every song we’d sung had in it
Either sun or bluebirds, fair weather
Or fancy fringe, O beautiful America!
And one tier below me,
There was Linda Deemer with her amber waves
And lovely fruited plains,
And she was part of America too
Along with sun and spacious sky
Though untouchable, and as distant
As purple mountains of majesty.

“This is my country,” we sang,
And a few years ago there would have been
A scent of figs in the air, mangoes,
And someone playing the oud along a clear stream.

But now it was “My country ’tis of thee”
And I sang it out with all my heart
And now with Linda Deemer in mind.
“Land where my fathers died,” I bellowed,
And it was not too hard to imagine

A host of my great-uncles and -grandfathers
Stunned from their graves in the Turkish interior
And finding themselves suddenly
On a rock among maize and poultry
And Squanto shaking their hands.

How could anyone not think America
Was exotic when it had Massachusetts
And the long tables of thanksgiving?
And how could it not be home
If it were the place where love first struck?

We had finished singing.
The sun was shining through large windows
On the beatified faces of all
Who had sung well and with feeling.
We were ready to file out and march back
To our room where Mr. Kephart was waiting.

Already Linda Deemer had disappeared
Into the high society of the hallway.
One day I was going to tell her something.
Des Moines, I was saying to myself,
Baton Rouge. Terre Haute. Boise.

SOURCE: “In the Elementary School Choir” appears in Gregory Djanikian’s collection Falling Deeply into America. (Carnegie Mellon University Press, 1989), available at Amazon.com.

Image

ABOUT THE AUTHOR: Gregory Djanikian’s collections include So I Will Till the Ground (2007), Years Later (2000), Falling Deeply into America (1989), and The Man in the Middle (1984). His poems have also appeared in numerous magazines and journals, such as Poetry, the Nation, and the American Scholar, as well as on television, when he was featured on PBS’s NewsHour with Jim Lehrer. 

His work explores, among other things, the private and public legacies of family, history, and culture, often through meditations on his own Armenian heritage and childhood emigration to the United States. Born in Alexandria, Egypt, he now lives in Philadelphia, where he directs the creative writing program at the University of Pennsylvania.

Image
IN A TRAIN
by Robert Bly

There has been a light snow.
Dark car tracks move in and out of the darkness.
I stare at the train window marked with soft dust.
I have awakened at Missoula, Montana, utterly happy. 

Illustration: Vintage postcard by Curt Teich & Co.

Image
IN A TRAIN
by Robert Bly

There has been a light snow.
Dark car tracks move in and out of the darkness.
I stare at the train window marked with soft dust.
I have awakened at Missoula, Montana, utterly happy. 

Illustration: Vintage postcard by Curt Teich & Co.

Image
NIGHT JOURNEY
by Theodore Roethke

Now as the train bears west,
Its rhythm rocks the earth,
And from my Pullman berth
I stare into the night
While others take their rest.
Bridges of iron lace,
A suddenness of trees,
A lap of mountain mist
All cross my line of sight,
Then a bleak wasted place,
And a lake below my knees.
Full on my neck I feel
The straining at a curve;
My muscles move with steel,
I wake in every nerve.
I watch a beacon swing
From dark to blazing bright;
We thunder through ravines
And gullies washed with light.
Beyond the mountain pass
Mist deepens on the pane;
We rush into a rain
That rattles double glass.
Wheels shake the roadbed stone,
The pistons jerk and shove,
I stay up half the night
To see the land I love.

Image

ABOUT THE AUTHOR: Theodore Roethke (1908-1963) is widely regarded as among the most accomplished and influential poets of his generation. Roethke’s work is characterized by its introspection, rhythm and natural imagery. He was awarded the Pulitzer Prize for poetry in 1954 for his book, The Waking, and he won the annual National Book Award for Poetry twice, in 1959 for Words for the Wind and posthumously in 1965 for The Far Field. In the November 1968 edition of the Atlantic Monthly, former U.S. Poet Laurete and author James Dickey wrote Roethke was: “…in my opinion the greatest poet this country has yet produced.” In 2012, he was featured on a United States postage stamp as one of ten great 20th Century American poets. (Source: Wikipedia.org.)

Photo: Graphic based on “Sunset from a Moving Train” by Kirsten M. Lentoff, ALL RIGHTS RESERVED

Image
THE SACRED
Poem by Stephen Dunn

After the teacher asked if anyone had
            a sacred place
and the students fidgeted and shrank
 
in their chairs, the most serious of them all
            said it was his car,
being in it alone, his tape deck playing
 
things he’d chosen, and others knew the truth
            had been spoken
and began speaking about their rooms,
 
their hiding places, but the car kept coming up,
            the car in motion,
music filling it, and sometimes one other person
 
who understood the bright altar of the dashboard
            and how far away
a car could take him from the need
 
to speak, or to answer, the key
            in having a key
and putting it in, and going. 

Photo: Paul Gorbould

“The Sacred” by Stephen Dunn is included in Good Poems, American Places Selected and Introduced by Garrison Keillor. Find the book at Amazon.com.

Image

NIGHT JOURNEY

Poem by Theodore Roethke (1908-1963)

Now as the train bears west,
Its rhythm rocks the earth,
And from my Pullman berth
I stare into the night
While others take their rest.
Bridges of iron lace,
A suddenness of trees,
A lap of mountain mist
All cross my line of sight,
Then a bleak wasted place,
And a lake below my knees.
Full on my neck I feel
The straining at a curve;
My muscles move with steel,
I wake in every nerve.
I watch a beacon swing
From dark to blazing bright;
We thunder through ravines
And gullies washed with light.
Beyond the mountain pass
Mist deepens on the pane;
We rush into a rain
That rattles double glass.
Wheels shake the roadbed stone,
The pistons jerk and shove,
I stay up half the night
To see the land I love.

Photo: “Sunset from a Moving Train” by Kirsten M. Lentoff, ALL RIGHTS RESERVED

Image

THE SACRED

Poem by Stephen Dunn

After the teacher asked if anyone had

            a sacred place

and the students fidgeted and shrank

 

in their chairs, the most serious of them all

            said it was his car,

being in it alone, his tape deck playing

 

things he’d chosen, and others knew the truth

            had been spoken

and began speaking about their rooms,

 

their hiding places, but the car kept coming up,

            the car in motion,

music filling it, and sometimes one other person

 

who understood the bright altar of the dashboard

            and how far away

a car could take him from the need

 

to speak, or to answer, the key

            in having a key

and putting it in, and going. 

Photo: Paul Gorbould

“The Sacred” by Stephen Dunn is included in Good Poems, American Places Selected and Introduced by Garrison Keillor. Find the book at Amazon.com.

Image

IN A TRAIN

Poem by Robert Bly

There has been a light snow.

Dark car tracks move in and out of the darkness.

I stare at the train window marked with soft dust.

I have awakened at Missoula, Montana, utterly happy. 

Illustration: Vintage postcard by Curt Teich & Co.