We were dancing—it must have
been a foxtrot or a waltz,
something romantic but
requiring restraint,
rise and fall, precise
execution as we moved
into the next song without
stopping, two chests heaving
above a seven-league
stride—such perfect agony,
one learns to smile through,
ecstatic mimicry
being the sine qua non
of American Smooth.
And because I was distracted
by the effort of
keeping my frame
(the leftward lean, head turned
just enough to gaze out
past your ear and always
smiling, smiling),
I didn’t notice
how still you’d become until
we had done it
(for two measures?
four?)—achieved flight,
that swift and serene
magnificence,
before the earth
remembered who we were
and brought us down.
SOURCE: “American Smooth” appears in Rita Dove’s collection American Smooth (W. W. Norton and Company, Inc., 2004), available at Amazon.com.
ABOUT THE AUTHOR: Rita Dove made her formal literary debut in 1980 with the poetry collection The Yellow House on the Corner, In works like the verse-novel Thomas and Beulah (1986), which won the Pulitzer Prize, On the Bus with Rosa Parks (1999), a finalist for the National Book Critics Circle Award, and Sonata Mulattica (2009), Dove treats historical events with a personal touch. In addition to poetry, Dove has published works of fiction, including the short story collection Fifth Sunday (1990) and the novel Through the Ivory Gate (1992). Her play The Darker Face of the Earth (1996) was produced at the Kennedy Center for the Performing Arts in Washington, D.C. Dove is also an acclaimed lyricist, and has written lyrics for composers ranging from Tania León to John Williams. Dove was named US Poet Laureate in 1993, the youngest poet ever elected to the position. Dove has continued to play an important role in the reception of American poetry through her work as editor of the Penguin Anthology of 20th Century American Poetry (2011). She is currently Commonwealth Professor of English at the University of Virginia in Charlottesville.