Archives for posts with tag: Catholic Church

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It’s been a while since we checked in with Cecilia Gimenez, the 81-year-old amateur art restorer from Borja, Spain — now famous for her botched restoration of her church’s fresco “Ecce Homo.” Cecilia is back in the news. Until now, she has been waiting for the church to slap her with a bill for a professional restoration of the fresco — but the tables have turned.

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Her painting is now drawing tourists — and the church is charging for a glimpse of the fresco. Spanish newspaper El Correo reports that Cecilia has sought legal representation to copyright her work and obtain royalties for it.

Judging by the way Cecilia is clutching her wallet in the photo at the top of this post, I’d say she has a good chance of winning. 

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Cecilia Gimenez, 81, still doesn’t understand what all the fuss is about — and has no idea why news outlets around the world are criticizing her handiwork. (The arbiters of taste don’t like the way she restored a 19th century fresco of  Christ on the wall of her church in Borja, Spain.) But she knows her work is excellent — no matter what the elitists say.

After all, didn’t an early critic call Henri Matisse‘s work, “A pot of paint thrown in the face of the public”? Didn’t the art world call Picasso‘s cubist paintings “devilish and insane”? Didn’t they call Dali‘s surrealist works “deranged”? Cecilia feels that these examples — and many more  she won’t bother to cite — prove that the art elite don’t know the real thing when they see it.

But there was one art critic who understood — Clement Greenberg, who said: “All profoundly original art appears ugly at first.” So there!

Despite all the media attention, Cecilia found time to apply her craft to an Andy Warhol masterwork — his portrait of Marilyn Monroe (below). (For the uninitiated, Cecilia Gimenez’s version is on the right.) When asked why she had selected this particular painting for her next effort, Cecilia responded that she’s long been an admirer of the American icon and for years has modeled her hairstyle on the deceased blonde’s locks.

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Unless you’ve sworn off the news during the past few days, you’re familiar with Cecilia Gimenez, the 81-year-old attempting to shave off a few Purgatory points by doing some good works — in this case, restoring a 19th century fresco of Christ on the wall of her church in Borja, Spain.

For the record (and this is why I’m not showing how she ruined the icon), this blog assiduously avoids discussions of religion or politics — that’s not our territory. But I couldn’t resist commenting on this story — there are so many levels and layers to it.

First, it’s a fine example when your children ask, “What does it mean when someone says ‘the road to hell is paved with good intentions’?”

Second, it shows the value of getting regular eye checkups. I have to wonder if Cecelia Gimenez has cataracts. Before her cataract operation, my mother could not distinguish yellow from white or brown from purple. She had the front door of her house painted a Barney purple, thinking it was “umber” (true story, and I have the photos to prove it!).

Third, I’m wondering if the other parishioners stopped Cecilia Gimenez before she was finished with her work. (You know how messy works-in-progress can look!)

Finally, I feel this story expresses the importance of art education — and why we need to support funding for the arts (hey, that sounds political).

Cecilia Gimenez refuses to repent for her sins (mortal? venial?) and appears belligerent, arrogant, self-satisfied, defiant, and convinced her work is beautiful. Wait a minute. She sounds like most of the artists I know. Welcome to the club, Cecilia!

Articles about this art restoration debacle have swept the Internet — but my favorite is a piece at hyperallergic.com called “Octogenarian Restorer Strikes Again.” The brilliantly written article imagines what Cecilia Gimenez could accomplish if allowed to restore some of the world’s art treasures, including Andy Warhol‘s portrait of Elizabeth Taylor  (below), Munch’s “The Scream,” Van Gogh‘s self-portrait, Vermeer‘s “Girl with a Pearl Earring,” and Leonardo‘s “Mona Lisa.”

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