Archives for posts with tag: crime

front door

Our Red Front Door
by Linda McKenney

My mother’s choice, our red front door was unique on our block. This solid, wood sentinel served as our blockade for any strangers wishing to gain entry into our home. We’d surreptitiously raise one of the Venetian blind slats to see who was ringing the doorbell. If it was an unwanted caller, we’d pretend we weren’t home.

These types of visitors were an anomaly in our quiet town, where everyone was a trusted neighbor, watching out for one another. We felt safe. Until . . .

It was late afternoon, when my mother would be home preparing dinner. But, not feeling well, my father had taken her to the doctor.

The intruders kicked in our crimson bulwark and lay siege to our home. Upstairs, they found my father’s antique handguns. Shots were fired into one of the pillows in my parents’ bed. In each of the bedrooms, a fire trap was set. A book of matches on the bed, one bent up and lit. It burned down to ignite its fellow matches and all of the bedding. Flames then hungrily consumed the rest of the room. We knew this, because for some reason, this technique failed in one of the bedrooms.

The first thing my brother noticed, when he returned from delivering newspapers, was the large boot print on the destroyed front door. Heading to the back door, the upstairs window exploded with glass shrapnel, barely missing him. He saw flames shooting out and licking the roof. He ran inside, calling our mother’s name. When he verified she wasn’t there, he grabbed the small amount of cash downstairs and his sister’s parakeet.

We lost personal, irreplaceable possessions. But even more, we lost trust, that feeling of safety and my mother’s red front door.

Photo found on Pinterest.

our house

NOTE FROM THE AUTHOR: This fire happened in 1973. The photo of the house is our house today. It has new owners. You can see how close it is to the one next door. That is the alley my brother started down when the window exploded. The red door photo is not our original door.  We don’t have one.

Linda-McKenney

ABOUT THE AUTHOR: Linda McKenney is a storyteller, writer and actor, bringing historical women to life. Her most recent work is published in Silver Birch Press, 101 Word Short Stories, The Survivor’s Review, The Rush, and Helen: A Literary Magazine. She has an alter ego at  Susanbanthony.live.

2032-sad-emotion-egg

Paperboys
by John Hardic

In the seventh grade my brother and I became paperboys. We delivered the evening paper six days a week and the Sunday morning edition.

Saturday was collection. I was out around 10 a.m. to collect my money. In the winter I adjusted and collected while delivering papers. Why be out in the cold more than necessary?

One customer on my route had a mental health history that the entire town knew about. My father told me that Ray was a genius and had gone to Carnegie Mellon University. He had suffered a nervous breakdown and ended up in a mental hospital for some time.

Ray was about my father’s age. When he was discharged, Ray worked for the turnpike passing out the toll cards. This was back in the early 1970s before EZ-pass and automatic ticket machines.

Ray lived with his two sisters and every time I went to their house they were eating scrambled eggs. Whether it was ten in the morning or four in the afternoon, I’d knock on the door and whoever opened the door would be chewing on eggs.

Because it was a small community, news traveled fast. Ray was in jail for killing his two sisters. The word on the street was that “Ray blew his top” and killed his sisters because he did not like the way they made his eggs that day. Ray went back to the State Hospital.

About a year later the word buzzed around town that Ray was getting out and coming back home. My parents told me that I would NOT be delivering to him. If he wanted the paper that much he could walk to a store and get it.

IMAGE: “Sad egg,” courtesy of pdpics.com.

NOTE FROM THE AUTHOR: I belong to a writers’ group that meets weekly. We critique each other’s work and offer suggestions and opinions. One of the benefits is having creative people around to bounce ideas around and help stimulate and nurture an idea. When the prompt came up for the “My First Job” submission I was initially not interested. “How could being a paperboy be interesting? I delivered papers to people.”. This brought out a discussion among the group and one of my colleagues suggested things that happened while collecting money and delivering papers. Although this was 40 years ago, I began to think of the people on my route and an event immediately came to my mind. I shared my story with the group and was encouraged to submit it.

hardic

ABOUT THE AUTHOR: John Hardic is a 1978 graduate of Gannon University, where he studied biology and writing. He ascribed to theory of having a backup plan and while writing and perfecting his craft worked in the health care system for over 30 years.  Several of his short stories were recently published in a book about writing titled Prompted, Prodded, Published. John enjoys science fiction/ fantasy and stories that challenge the reader to think. He is influenced by The Twilight Zone, the writings of Albert Camus, and enjoys the Dune novels by Frank Herbert. He is an avid Pittsburgh sports fan and brags about being at Three Rivers Stadium for Franco Harris’s Immaculate Reception which he did not see. John lives in a Pittsburgh suburb with his wife and four cats.

ImageThe Silver Birch Press NOIR Erasure Poetry Anthology (December 2013) — a collection of erasure poems based on the writings of a range of noir authors, including James M. Cain, Raymond Chandler, Dashiell Hammett, Patricia Highsmith, Walter Mosley, Robert B. Parker, and Cornell Woolrich — has earned some outstanding reviews at Amazon.com.

Here are some excerpts:

…a wonderful concept.”

…an interesting mix that pays homage to both the works of the noir genre and the poetic form…”

…one of the most fun and just amazing books of erasure poetry that I have ever read.”

… I am intrigued by the many different ways in which these poems were shaped from the original texts of noir writers’ novels. These marked-out passages combined with Budziak’s shadowy woodcut cover art throws the reader into the low-key and mysterious setting of the noir.”

The 122-page anthology features the work of 46 writers from around the world:  Jeffrey C. Alfier / Beth Ayer / Jenni B. Baker / David Barker / Kathy Burkett / Candace Butler / Freda Butler / Kim Cooper / Subhankar Das / Andrea Dickens / Barbara Eknoian / Chris Forhan / Laura Hartenberger / Paul Hawkins / Deborah Herman / Sandra Herman / Mathias Jansson / Jax NTP / Rosemarie Keenan / Wm. Todd King/ Joseph Lisowski / Renee Mallett / Adrian Manning/ Karen Margolis / Catfish McDaris / Marcia Meara / james w. moore / Sarah Nichols / Winston Plowes / David S. Pointer / D.A. Pratt / David Rachels / Jonne Rhodes / Van Roberts / Daniel Romo / Tere Sievers / Gerald So / Sherry Steiner / Caitlin Stern / Scott Stoller / Thomas R. Thomas / Mary Umans / Melanie Villines / Mercedes Webb-Pullman / Richard Wink / Joanie Hieger Fritz Zosike

A special note of appreciation to you the anthology’s contributing editors: Jenni B. Baker, Catfish McDaris, james w. moore, and Gerald So. Major thanks, too, to Guy Budziak for allowing Silver Birch Press to feature his woodcut of William Conrad — as seen in the 1946 film The Killers — on the cover of the collection. For more of Guy Budziak‘s work, please visit filmnoirwoodcuts.com.

For fans of mystery, crime, and hardboiled fiction, as well as film noir, the Silver Birch Press NOIR Erasure Poetry Anthology is an interesting, unique, and inexpensive holiday gift. The book is currently available for $10.58 from Amazon.com.

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Gerald So, editor, at THE 5-2: CRIME POETRY WEEKLY, is seeking submissions of love-themed crime poems to be published in February 2014 in honor of Valentine’s Day.

Guidelines: Find out how to enter here.

Deadline:  December 31, 2013

For inspiration, check out The 5-2′s poems from February 2013:

Nyla Alisia, “Enter the Sandman: 31S love affair”

Christine Aletti, “Sylvia Plath, Gaslight Left On”

Robert Cooperman, “Delicious Sins”

JD Debris, “The Girl in the American Apparel Ad”

Anne Graue, “The Death of the Nut Harvester”

Clarinda Harriss, “Sweet-talk Me on Valentine’s Day”

Anina Robb, “Affair”

Hal Sirowitz, “Through Pink-Tinged Glasses”

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Silver Birch Press is excited to announce the December 2013 release of the NOIR Erasure Poetry Anthology — a collection of erasure poems based on the writings of a range of noir authors, including James M. Cain, Raymond Chandler, Dashiell Hammett, Patricia Highsmith, Walter Mosley, Robert B. Parker, and Cornell Woolrich.

The 122-page anthology features the work of 46 writers from around the world:  Jeffrey C. Alfier / Beth Ayer / Jenni B. Baker / David Barker / Kathy Burkett / Candace Butler / Freda Butler / Kim Cooper / Subhankar Das / Andrea Dickens / Barbara Eknoian / Chris Forhan / Laura Hartenberger / Paul Hawkins / Deborah Herman / Sandra Herman / Mathias Jansson / Jax NTP / Rosemarie Keenan / Wm. Todd King/ Joseph Lisowski / Renee Mallett / Adrian Manning/ Karen Margolis / Catfish McDaris / Marcia Meara / james w. moore / Sarah Nichols / Winston Plowes / David S. Pointer / D.A. Pratt / David Rachels / Jonne Rhodes / Van Roberts / Daniel Romo / Tere Sievers / Gerald So / Sherry Steiner / Caitlin Stern / Scott Stoller / Thomas R. Thomas / Mary Umans / Melanie Villines / Mercedes Webb-Pullman / Richard Wink / Joanie Hieger Fritz Zosike

For fans of mystery, crime, and hardboiled fiction, as well as film noir, the Silver Birch Press NOIR Erasure Poetry Anthology is an interesting, unique, and inexpensive holiday gift. The book is currently available for $11.40 from Amazon.com.

A special note of appreciation to you the anthology’s contributing editors: Jenni B. Baker, Catfish McDaris, james w. moore, and Gerald So. Thanks to you, a wide range of established authors contributed their work to the collection. Fedoras off to you!

Major thanks, too, to Guy Budziak for allowing Silver Birch Press to feature his woodcut of William Conrad — as seen in the 1946 film The Killers — on the cover of the collection. For more of Guy Budziak‘s work, please visit filmnoirwoodcuts.com.

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Gerald So, editor, at THE 5-2: CRIME POETRY WEEKLY, is seeking submissions of love-themed crime poems to be published in February 2014 in honor of Valentine’s Day.

Guidelines: Find out how to enter here.  

Deadline:  December 31, 2013.

For inspiration, check out The 5-2’s poems from February 2013:

Nyla Alisia, “Enter the Sandman: 31S love affair”
Christine Aletti, “Sylvia Plath, Gaslight Left On”
Robert Cooperman, “Delicious Sins”
JD Debris, “The Girl in the American Apparel Ad”
Anne Graue, “The Death of the Nut Harvester”
Clarinda Harriss, “Sweet-talk Me on Valentine’s Day”
Anina Robb, “Affair”
Hal Sirowitz, “Through Pink-Tinged Glasses”

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VENETIAN BINDS
by Hilary Barta

In darkness this duo’s defined
by light through the slats of a blind
The pair was condemned,
by shadows were hemmed,
the moment insurance was signed.

In blackness the couple’s confined
Like bars in a cell they are lined
They’re not playing straight,
each eying their mate,
awaiting a fate that’s unkind.

Credit: “Venetian Binds”  © 2013 Hilary Barta

Photo: Still from Double Indemnity (1944) directed by Billy Wilder, starring Fred MacMurray and Barbara Stanwick.

Editor’s note: You’d have to know the plot of Double Indemnity for this limerick to make sense. Read a synopsis of the film at wikipedia.org.

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“I’m a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don’t read in order to study the craft; I read because I like to read.” STEPHEN KING

Photo: Stephen King gets caught reading WHEN WILL THERE BE GOOD NEWS? by Kate Atkinson at a Boston Red Sox game, photo by James Borchuk (10/14/2008).

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Publisher’s Weekly described WHEN WILL THERE BE GOOD NEWS? as,  “unrelated characters and plot lines collide with momentous results.” Find the novel at Amazon.com