A Poem For Dada Day At The Place . . . by Jack Spicer

A POEM FOR DADA DAY AT THE PLACE APRIL 1, 1958
by Jack Spicer

I
The bartender
Has eyes the color of ripe apricots
Easy to please as a cash register he
Enjoys art and good jokes.
Squish
Goes the painting
Squirt
Goes the poem
He
We
Laugh.

II
It is not easy to remember that other people died
besides Dylan Thomas and Charlie Parker
Died looking for beauty in the world of the
bartender
This person, that person, this person, that person
died looking for beauty
Even the bartender died

III
Dante blew his nose
And his nose came off in his hand
Rimbaud broke his throat
Trying to cough
Dada is not funny
It is a serious assault
On art
Because art
Can be enjoyed by the bartender.

IV
The bartender is not the United States
Or the intellectual
Or the bartender
He is every bastard that does not cry
When he reads this poem.

SOURCE: Poetry (July/August 2008)

PHOTO: “Blabbermouth Night, an open reading and forum, at The Place” by C.R. Snyder, ALL RIGHTS RESERVED.

ABOUT THE AUTHOR: Jack Spicer (1925–1965) was a poet often identified with the San Francisco Renaissance — the name given to the emergence of writers and artists in the Bay Area at the end of WWII. In 2009, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer won the American Book Award for poetry.

ABOUT DADA: Dada is a movement that began in Zurich, Switzerland, in 1916 at the Cabaret Voltaire. Its founders struck upon this essentially nonsense word to embody a playful and nihilistic spirit alive among European visual artists and writers during and immediately after World War I. They salvaged a sense of freedom from the cultural and moral instability that followed the war, and embraced both “everything and nothing” in their desire to “sweep, sweep clean,” as Tristan Tzara wrote in his Dadaist Manifesto in 1920. In visual arts, this enterprise took the form of collage and juxtaposition of unrelated objects, as in the work of French artist Marcel Duchamp. T.S. Eliot’s and Ezra Pound’s allusive, often syntactically and imagistically fractured poems of this era reflect a Dadaist influence. Dadaism gave rise to surrealism. (SOURCE: poetryfoundation.org.) To read more about Dadaism, visit wikipedia.org.

ABOUT THE PLACE: Between 1955 and 1959, The Place at 1564 Grant Street was at the center of San Francisco’s Beat culture — a bohemian bar managed by Knute Stiles and Leo Krekorian. In a 1986 interview published in North Beach Magazine, Krekorian, known as the “Grandfather of the Beats,” explained some of what was special about The Place: “When Jack Kerouac wrote On the Road people started hitchhiking to San Francisco from all over the country, even from foreign countries, and their first stop was The Place. They walked in with the luggage and I usually let them park their stuff a few days until they got squared away.” (Read more of this essay by Mark Schwartz & Art Peterson, originally published in The Semaphore #181, Fall 2007 at foundsf.org.)

Happy Idea, poem by Mary Szybist

HAPPY IDEA
by Mary Szybist

I had the happy idea to fasten a bicycle wheel to a kitchen stool and watch it turn.—Marcel Duchamp           

I had the happy idea to suspend some blue globes in the air

and watch them pop.

I had the happy idea to put my little copper horse on the shelf so we could stare at each other

all evening.

I had the happy idea to create a void in myself.

Then to call it natural.

Then to call it supernatural.

I had the happy idea to wrap a blue scarf around my head and spin.

I had the happy idea that somewhere a child was being born who was nothing like Helen or

Jesus except in the sense of changing everything.

I had the happy idea that someday I would find both pleasure and punishment, that I would

know them and feel them,

and that, until I did, it would be almost as good to pretend.

I had the happy idea to call myself happy.

I had the happy idea that the dog digging a hole in the yard in the twilight had his nose deep in

mold-life.

I had the happy idea that what I do not understand is more real than what I do,

and then the happier idea to buckle myself

into two blue velvet shoes.

I had the happy idea to polish the reflecting glass and say

hello to my own blue soul. Hello, blue soul. Hello.
 
It was my happiest idea.

Photo: Blue mirror ball, available at wayfair.com.

ABOUT THE AUTHOR: Mary Szybist‘s poetry collection Incarnadine (Graywolf Press, 2013) was the recipient of the 2013 National Book Award for Poetry, and her collection of poems, Granted (Alice James Books, 2003) won the 2003 Beatrice Hawley Award from Alice James Books, the 2004 Great Lakes Colleges Association New Writers Award, and was a finalist for the 2004 National Book Critics Circle Award in Poetry. Szybist’s poetry has appeared in Denver Quarterly, Colorado Review, AGNI, Virginia Quarterly Review, The Iowa Review, Poetry, Tin House, and The Kenyon Review, and The Best American Poetry 2008. Szybist is an assistant professor of English at Lewis & Clark College in Portland, Oregon and a member of the faculty at the Warren Wilson College MFA Program for Writers.