Good writing is supposed to evoke sensation in the reader—not the fact that it is raining, but the feeling of being rained upon.” E.L. DOCTOROW
Photo: “Rain Forest in Paris” by Eole Wind
Good writing is supposed to evoke sensation in the reader—not the fact that it is raining, but the feeling of being rained upon.” E.L. DOCTOROW
Photo: “Rain Forest in Paris” by Eole Wind
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.” E.L. DOCTOROW
Photo: BAZZAE73, ALL RIGHTS RESERVED
“Good writing is supposed to evoke sensation in the reader—not the fact that it is raining, but the feeling of being rained upon.” E.L. DOCTOROW
Photo: “Rain Forest in Paris” by Eole Wind
In a Paris Review interview conducted by George Plimpton, novelist E.L. Doctorow discusses some of his writing challenges — including trying to write an absence note for his grammar-school-aged daughter. I loved the humor here!
INTERVIEWER: You once told me that the most difficult thing for a writer to write was a simple household note to someone coming to collect the laundry, or instructions to a cook.
E. L. DOCTOROW: What I was thinking of was a note I had to write to the teacher when one of my children missed a day of school. It was my daughter, Caroline, who was then in the second or third grade. I was having my breakfast one morning when she appeared with her lunch box, her rain slicker, and everything, and she said, “I need an absence note for the teacher and the bus is coming in a few minutes.” She gave me a pad and a pencil; even as a child she was very thoughtful. So I wrote down the date and I started, Dear Mrs. So-and-so, my daughter Caroline . . . and then I thought, No, that’s not right, obviously it’s my daughter Caroline. I tore that sheet off, and started again. Yesterday, my child . . . No, that wasn’t right either. Too much like a deposition. This went on until I heard a horn blowing outside. The child was in a state of panic. There was a pile of crumpled pages on the floor, and my wife was saying, “I can’t believe this. I can’t believe this.” She took the pad and pencil and dashed something off. I had been trying to write the perfect absence note. It was a very illuminating experience. Writing is immensely difficult. The short forms especially.
INTERVIEWER: How much tinkering do you actually do when you get down to nonhousehold work—a novel, say?
DOCTOROW: I don’t think anything I’ve written has been done in under six or eight drafts. Usually it takes me a few years to write a book. World’s Fair was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
Photo: Skobrik, ALL RIGHTS RESERVED
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.” E.L. DOCTOROW
Photo: BAZZAE73, ALL RIGHTS RESERVED
Writing is an exploration. You start from nothing and learn as you go.”
E.L. DOCTOROW
PHOTO: Rosecrans Drive-In, Paramount, 1993 by Hiroshi Sugimoto; Deutsche Bank Collection