Archives for posts with tag: farming

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Falling from the Hay Wagon
by Laura Grace Weldon

I stand on square bales piled 10 feet high,
pushing them to the edge for others to stack
as July sun shoves between barn boards
in hot dust-ridden stripes.
All of us weary, chaff stuck to sweat
after a long day of haying
in heat dry as the cracked creek bed.
A Benadryl haze makes my limbs
feel like pudding, so wobbly I’m sillier
than usual as I wade to the edge,
still chortling as I trip, tip over,
fall to the barn’s dirt floor,
landing hard between wagon and post,
jeans somehow intact
against a pitchfork’s rusty tines.
I’m jolted into silence
until I find I’m fine,
me, the worrier
who never sees what’s coming.
My family leans over me, aghast
while I lie in the dust laughing
at all the good fortune we have sown.

Previously published in Portals (Middle Creek Publishing, 2021).

Photo by Friderike on Unsplash

NOTE FROM THE AUTHOR: There are no longer cattle on our pasture, the hayfields lie fallow, but memories as physical as haying stay with me all the way to the cellular level.

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ABOUT THE AUTHOR: Laura Grace Weldon lives on a small ramshackle farm, where she works as a book editor, teaches writing workshops, and maxes out her library card each week. Laura served as Ohio’s 2019 Poet of the Year and is the author of four books. Visit her at lauragraceweldon.com, Twitter, and Facebook.

Raul Golinelli
Carrot
by Joe Cottonwood

My neighbor Ellen a single mom
operates an organic farm
nonprofit, the nature of farming,
sells veggies roadside, tractors her field,
comes to church perspiring through dirt,
shows up one day on the restaurant wall
where you can buy burgers and pizza
plus Ellen posed discretely nude, nothing rude,
clothed by corn and kale.

Her paintings won’t win awards
except for courage.
Sales benefit her toil, the soil,
embarrass her preteen son.

Now the whole town sees her astonishing tan lines,
bright stripes on a body stout,
folds of mom chub like ribs on a carrot.

A man of peppery beard out for a mountain drive
in a Ferrari bright red, the midlife car of Silicon Valley
with his preteen daughter looking bored
parks for a pizza, buys one painting.

Next day he returns alone, buys five more,
asks where to find the folk-artist.

Ellen is healing the earth. He is digitizing it.
We hesitate to judge prospects
for art or love, but tell.
May it please go well.

PHOTO: Woman harvesting carrots grown organically in the Bahian backlands in Irece, Bahia, Brazil. Photo by Raul Golinelli

NOTE FROM THE AUTHOR: I wrote this poem inspired by true events but see now it’s also an allegory. Can the sterile algorithms of Silicon Valley help to heal the earth? I hope so.

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ABOUT THE AUTHOR: Joe Cottonwood has repaired hundreds of houses to support his writing habit in the Santa Cruz Mountains of California. His latest book of poetry is Random Saints.

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Amends
by Jessica Gigot

It is hard to hold a homegrown
            head of broccoli in your hand
and not feel proud.
Seed to start,

seedling to robust stalk and floret,
I cradle this broccoli like my first born.

The infant I protected from damping-off,
            aphids, club root, and pesky flea beetles
                          dotting up all the leaves.

The green gleams and sparkles.
In that one hour on that one day

I made amends with the earth.

Other times, I buy the shipped-in stuff,
            California’s wellspring
Touched by a thousand hands
            and automated sanitation.

Sweat makes this one something special—
            the give and take of it all,
                          my muddied pride.

PHOTO: Broccoli garden. Photo by Marina Helena Muller on Unsplash.

NOTE FROM THE AUTHOR: I wrote this poem after working in the garden last summer, feeling proud of what I had grown and also overwhelmed by how vast and harmful our food systems has become over the past several decades. Chef Alice Waters wrote, “Finding the beauty in food can change your life,” and I believe that appreciating the poetics of food and the work of growing food will lead us towards farms that are more ecological and in balance with the earth.

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ABOUT THE AUTHOR: Jessica Gigot is a poet, farmer, and wellness coach. She lives on a small sheep farm in the Skagit Valley. Her second book of poems, Feeding Hour (Wandering Aengus Press, 2020) won a Nautilus Award and was a finalist for the 2021 Washington State Book Award. Jessica’s writing and reviews appear in several publications, including Orion, Taproot, and Poetry Northwest, and she is currently a poetry editor for The Hopper. Her memoir, A Little Bit of Land, will be published by Oregon State University Press in 2022.

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WHAT WE NEED IS HERE
by Wendell Berry

Geese appear high over us,
pass, and the sky closes. Abandon,
as in love or sleep, holds
them to their way, clear
in the ancient faith: what we need
is here. And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye,
clear. What we need is here. 

Photo: White Buffalo BK, ALL RIGHTS RESERVED

ABOUT THE AUTHOR: Wendell Berry (born August 5, 1934) describes himself as  ”an American man of letters, academic, cultural and economic critic, and farmer.” He is a prolific author of novels, short stories, poems, and essays. He is also an elected member of the Fellowship of Southern Writers, a recipient of The National Humanities Medal, and the Jefferson Lecturer for 2012.

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WHAT WE NEED IS HERE

by Wendell Berry

Geese appear high over us,
pass, and the sky closes. Abandon,
as in love or sleep, holds
them to their way, clear
in the ancient faith: what we need
is here. And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye,
clear. What we need is here. 

Photo: White Buffalo BK, ALL RIGHTS RESERVED

ABOUT THE AUTHOR: Wendell Berry (born August 5, 1934) describes himself as  “an American man of letters, academic, cultural and economic critic, and farmer.” He is a prolific author of novels, short stories, poems, and essays. He is also an elected member of the Fellowship of Southern Writers, a recipient of The National Humanities Medal, and the Jefferson Lecturer for 2012.