Archives for posts with tag: hardboiled fiction

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For a limited time, the Kindle version of The Kept Girl by Kim Cooper is available for just $2.99. Get your copy of this fascinating read at Amazon.com. (The price is “counting down” each day until it reaches the $7.99 list price.)

ABOUT THE BOOK: Kim Cooper‘s The Kept Girl is inspired by a sensational real-life Los Angeles cult murder spree which exploded into the public consciousness when fraud charges were filed against the cult’s leaders in 1929. The victim was the nephew of oil company president Joseph Dabney, Raymond Chandler‘s boss. In the novel, Chandler, still several years away from publishing his first short story, is one of three amateur detectives who uncover the ghastly truth about the Great Eleven cult over one frenetic week. Informed by the author’s extensive research into the literary, spiritual, criminal and architectural history of Southern California, The Kept Girl is a terrifying noir love story, set against the backdrop of a glittering pre-crash metropolis. To learn more about the book, visit the author’s blog. Read a sample chapter here.

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THE KEPT GIRL

Novel by Kim Cooper

 Silver Birch Press Review

*****Five stars *****

While Los Angeles has been called a city with a “history of forgetting”—with wide-scale demolition of landmarks and even entire neighborhoods—author Kim Cooper helps readers relive L.A.’s past in her captivating first novel, The Kept Girl (Esotouric, 2014), a book based on real people and events.

Cooper—a social historian, nonfiction author, and historic preservationist—serves as our guide as we travel back to Jazz Age L.A., the summer of 1929, just a few months before the stock market crash that led to the Great Depression.

It was a time when L.A. was starting to boom, thanks to abundant oil reserves and the burgeoning movie business—with dreamers and people who preyed on dreamers converging on the City of Angels to reach for the gold ring.

One of these California transplants was Raymond Chandler, who moved to L.A. after his years of service during WWI—and by 1929, he had lived in the city for a decade. As a 41-year-old oil executive, his fondness for booze and broads complicated both his professional and private lives—since he made a living as an executive in the oil business and was married to an ailing woman nearly 20 years his senior.

Cooper’s novel reveals Chandler before he became L.A.’s premier chronicler of crime—the writer who more than anyone created the neon noir image of L.A. that the city has enjoyed ever since.

The Kept Girl—which takes place a decade before Chandler published his first novel, The Big Sleep, in 1939—offers a speculative history of how the author may have got his start as a purveyor of crime fiction. In Cooper’s telling, Chandler’s employer asks him to investigate a religious cult that has squeezed $40,000 from Clifford Dabney, the boss’s nephew. Chandler enlists his secretary/mistress Muriel Fischer and an honest cop named Tom James—believed to be the model for detective Philip Marlowe—to assist him in solving the crime.

Throughout the story, the three protagonists deal with personal demons—including aging, sexism, alcoholism, and corruption—as they endeavor to crack the case of the Great Eleven Cult, headed by a shady mother and daughter who claim they receive messages and directives from angels.  A range of gullible types fall for their spiel—mainly out of greed, since the angels promise to reveal the locations of the richest oil deposits in California.

As P.T. Barnum said, “There’s a sucker born every minute,” and the L.A. of 1929 is much like a circus sideshow—with humanity in all its flaws, foibles, and hopes on full display. Cooper does a masterful job of pulling all the disparate parts of the story together into a riveting mystery. The big reveal at the end is worth the price of admission. So step right up and read The Kept Girlyou’ve never seen anything like it: history, social commentary, and an engaging mystery all in one tidy 274-page package.

The Kept Girl is available in Kindle and paperback versions at Amazon.com.

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ABOUT THE AUTHOR: Kim Cooper is the creator of 1947project, the crime-a-day time travel blog that spawned Esotouric’s popular crime bus tours, including Pasadena Confidential, the Real Black Dahlia and Weird West Adams. Her collaborative L.A. history blogs include On Bunker Hill and In SRO Land. With husband Richard Schave, Kim curates the Salons of LAVA–The Los Angeles Visionaries Association. When the third generation Angeleno isn’t combing old newspapers for forgotten scandals, she is a passionate advocate for historic preservation of signage,vernacular architecture and writer’s homes. Kim was for many years the editrix of Scram, a journal of unpopular culture. Her books include Fall in Love For LifeBubblegum Music is the Naked TruthLost in the Grooves and an oral history of the cult band Neutral Milk Hotel. The Kept Girl is her first novel.

COVER ART: Paul Rogers

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L.A. historian/author Kim Cooper, renowned for her Esotouric bus tours into “the secret heart of Los Angeles,” recently completed her noir novel THE KEPT GIRL – and is offering readers a terrific opportunity to subscribe to the book’s first printing (details at thekeptgirl.com).

The prestigious Kirkus Reviews recently featured THE KEPT GIRL in an article entitled “Eight Tales to Warm You Up for the New Year.” Mark your calendar for the launch party at Skylight books in Los Angeles on Thursday, 2/13/14.

The subscription offer — available through early January 2014 — features a variety of benefits, including the subscriber’s name prominently acknowledged in all copies of the book,  which will arrive enclosed in a limited-edition decorative slipcase. Book lovers, collectors, hardboiled fiction fans, don’t miss this chance to take part in a true publishing event. Considering all the benefits, this first-class publication is a tremendous bargain at just $65.

Before Raymond Chandler became LA’s crime laureate, he was an LA oil company executive. Inspired by this historic nugget, Kim Cooper, social historian and co-founder of Esotouric, spins Chandler’s early LA years, a sinister 1920s angel-worshipping cult, an LAPD cop and a heroine who is much more than a ‘kept girl’ into a deeply researched and compulsively readable crime novel.”

Denise Hamilton, author of DAMAGE CONTROL & editor of Edgar Award-winning anthology LOS ANGELES NOIR

ABOUT THIS PUBLISHING METHOD: The Subscription model of publishing flourished in England in the 17th Century. Instead of relying on a single regal (and often capricious) patron, authors and publishers cultivated a select group of literate, engaged readers and collectors whose support encouraged and enabled the publication of books that would otherwise be prohibitively expensive to produce. Through Subscription-sponsored publication, important atlases, geographies, and histories saw the light, along with great literature, including Milton’s Paradise Lost.

ABOUT THE BOOK: Kim Cooper‘s The Kept Girl is inspired by a sensational real-life Los Angeles cult murder spree which exploded into the public consciousness when fraud charges were filed against the cult’s leaders in 1929. The victim was the nephew of oil company president Joseph Dabney, Raymond Chandler‘s boss. In the novel, Chandler, still several years away from publishing his first short story, is one of three amateur detectives who uncover the ghastly truth about the Great Eleven cult over one frenetic week. Informed by the author’s extensive research into the literary, spiritual, criminal and architectural history of Southern California, The Kept Girl is a terrifying noir love story, set against the backdrop of a glittering pre-crash metropolis. To learn more about the book, visit the author’s blog. Sign up for the newsletter to receive occasional updates. Read a sample chapter here.

Kim Cooper is the perfect Virgil to 1929 Los Angeles, a city that was both a paradise and an inferno. Her knowledge of the city that was is unparalleled, her imagination unnerving. The real-life characters and crimes that would give birth to the pulp fiction of the 1930s and the film noir of the 1940s can all be found here. Aficionados of noir Los Angeles will read The Kept Girl with fascination and with growing horror as the terrible crime at its core is revealed.” 

John Buntin, author of L.A. NOIR

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ABOUT THE AUTHOR: Kim Cooper is the creator of 1947project, the crime-a-day time travel blog that spawned Esotouric’s popular crime bus tours, including Pasadena Confidential, the Real Black Dahlia and Weird West Adams. Her collaborative L.A. history blogs include On Bunker Hill and In SRO Land. With husband Richard Schave, Kim curates the Salons of LAVA–The Los Angeles Visionaries Association. When the third generation Angeleno isn’t combing old newspapers for forgotten scandals, she is a passionate advocate for historic preservation of signage,vernacular architecture and writer’s homes. Kim was for many years the editrix of Scram, a journal of unpopular culture. Her books include Fall in Love For LifeBubblegum Music is the Naked TruthLost in the Grooves and an oral history of the cult band Neutral Milk Hotel. The Kept Girl is her first novel.

COVER ART: Paul Rogers

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Silver Birch Press NOIR Erasure Poetry Anthology

Released: December 7, 2013

Size: 122 pages (5.5 x 8.5″)

Available in paperback for $10.60 at Amazon.com

EDITOR’S NOTES

WHY: As a longtime fan of hardboiled detective fiction and film noir, and an aficionado of found poetry, I wondered what would happen if the two were combined. A call for submissions on the Silver Birch Press blog, as well as requests from our contributing editors to their colleagues resulted in a wide range of submissions, including those featured in the Silver Birch Press NOIR Erasure Poetry Anthology. 

WHAT: So just what is an erasure poem? Take a page from any book, cross out or whiteout some of the words and the remaining words constitute the erasure poem. The Silver Birch Press Noir Erasure Poetry Anthology pays homage to noir authors—including genre founders Raymond Chandler and Dashiell Hammett, as well as other authors of crime fiction whose work served as source material.

WHO: My thanks to the 46 poets represented in the collection (find their names in this post), as well as the 16 noir authors whose writing served as inspiration. A special thank you to contributing editors Jenni B. Baker, Catfish McDaris, james w. moore, and Gerald So—accomplished poets and authors who encouraged their writing colleagues to participate in the collection. Thanks, too, to Guy Budziak for his stunning cover art. (View more of the artist’s work at filmnoirwoodcuts.com.)

DEDICATION: Noir and erasure poetry are a perfect match—stark, pared down, elemental, bare bones.  As the author who invented L.A. Noir and elevated prose to poetry, we dedicate the Silver Birch Press NOIR Erasure Poetry Anthology to Raymond Chandler.

WHERE: Find the Silver Birch Press NOIR Erasure Poetry Anthology — an interesting, unique (and inexpensive) holiday gift for lovers of crime fiction (and poetry!) — at Amazon.com.

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I know this is a poetic no-no (I’ve been told as such by real poets), but I just can’t help myself. Ross Macdonald‘s beautiful language makes me think of poetry, as noted below.

THE MOVING TARGET
Chapter 4 (Opening Lines)
by Ross Macdonald

We rose into the offshore wind sweeping across the airport
and climbed toward the southern break in the mountains.
Santa Teresa was a colored air map on the mountains’ knees,
the sailboats in the harbor white soap chips in a tub of bluing.
The air was very clear.The peaks stood up so sharply
that they looked like papier-maché I could poke my finger through.
Then we rose past them into chillier air and saw
the wilderness of mountains stretching to the fifty-mile horizon.

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The soon-to-be-released Silver Birch Press Noir Erasure Poetry Anthology features poems by over 40 poets around the world who based their work on the writings of about 20 different noir authors. No surprise, I’m sure, is that by far the most popular authors were Raymond Chandler (16 poems based on his work) and Dashiell Hammett (9 poems based on his work), with Ross Macdonald coming in third (three poems based on his work). Other classic authors represented in the collection include James M. Cain and Cornell Woolrich, with some current day authors (Dennis Lehane, Walter Mosely, and others) filling out the collection.

Erasure poems are created by photocopying a page from a book, then marking out, whiting out, or in other ways (see examples), eliminating some of the words. The remaining words  constitute the erasure poem.

The Silver Birch Press NOIR Erasure Poetry Anthology will be released by Dec. 1, 2013.

A special thank you to contributing editors Jenni B. Baker, Catfish McDaris, james w. moore, and Gerald So for their fabulous work in bringing fellow authors into the collection and helping spread the word.

Cover: Guy Budziakfilmnoirwoodcuts.com.

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Available by December 1, 2013:  Silver Birch Press NOIR Erasure Poetry Anthology — a collection of poems from authors around the world based on the writings of hardboiled detective novelists such as Raymond Chandler, Dashiell Hammett, and Ross MacDonald. A special thank you to Guy Budziak, of filmnoirwoodcuts.com, for his beautiful cover art.

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THE NIGHT GOES ON ALL NIGHT: Noir Inspired Poems, edited by Rick Lupert (Ain’t Got No Press, November 2011) was published in conjunction with the 2011 Los Angeles Poetry Festival’s “Night and the City” Noir Festival.

The collection features work from 24 poets who, according to the book description, explore “their own noir-de-vivre with humor, grit, nostalgia, and the requisite fedora.” The book includes an introductory note about noir from Los Angeles Poetry Festival director Suzanne Lummis.

CONTRIBUTORS INCLUDE: E. Amato, Michael C. Ford, Michael Cluff, Brendan Constantine, Mike Daily, Gloria Derge, Peggy Dobreer, Jerry Garcia, Joelle Hannah, Kris Huelgas, Elizabeth Iannaci, Jack Bowman, Ruth Nolan, Marc Olmsted, Kevin Patrick Sullivan, Angela Penaredondo, Douglas Richardson, Anthony Seidman, Eric Steineger, Eric Tuazon, Mehnaz Turner, Wyatt Underwood, Wanda VanHoy Smith and Florence Weinberger.

Here is a sampling from the collection…

PANORAMA CITY (Excerpt)
by Brendan Constantine

We started wearing 
dark glasses between the house & the garage. 
Panorama City had no view; from any window 
we saw another window.

Note: Brendan Constantine will appear at the POET NOIR reading at the Bradbury Building in downtown Los Angeles on Sunday, Nov. 24, 2013. Details here.

ABOUT THE EDITOR: Rick Lupert has been involved in the Los Angeles poetry community since 1990. He served for two years as a co-director of the Valley Contemporary Poets, a non-profit organization that produces readings and publications out of the San Fernando Valley. His poetry has appeared in numerous magazines and literary journals, including The Los Angeles Times and Chiron Review. He edited A Poet’s Haggadah: Passover through the Eyes of Poets anthology and is the author of thirteen books. Since 1994, he has hosted the long-running Cobalt Cafe reading series in Canoga Park and is regularly featured at venues throughout Southern California. Rick created and maintains the Poetry Super Highway, a major internet resource for poets. (PoetrySuperHighway.com) Currently Rick works as a music teacher and web designer and can be reached by email at Rick@PoetrySuperHighway.com.

Find the 56-page THE NIGHT GOES ON ALL NIGHT: Noir Inspired Poetry at Amazon.com.

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The Los Angeles Visionaries Association (LAVA) will host a POEM NOIR reading at the historic Bradbury Building on Sunday, November 24, 2013.  Poem Noir performers include: Carl WeintraubBrendan Constantine and Suzanne Lummis (pictured above). The reading is part of a FREE walking tour called “Flaneur & the City: Broadway on My Mind.”

WHAT: Flaneur & the City…Broadway on my Mind walking tour

WHEN: Sunday, Nov. 24, 2013 from 2:30-3:30 p.m.

WHERE: Downtown Los Angeles. Details here.

Listen to a September 2013 interview with Suzanne Lummis on NPR’s “All Things Considered” at this link.

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POETRY NOIR
by John S. O’Connor
Reprinted from poetryfoundation.org (2009)

This year I’m teaching a new class called Literature and Film. Since I’m always thinking of ways to use poetry in the classroom, we started the year by screening Run Lola Run while we read Oedipus the King (the brilliant Robert Fagles translation replete with devastatingly ironic line breaks). In our film noir unit, we read some terrific noir poems from Kevin Young’s Black Maria and some excerpts from Robert Polito’s fine new collection, Holywood and God. (Check out the podcast on Poetry Noir from Poetry off the Shelf.)

Then, while we were examining mise-en-scene (for our purposes, the physical setting of the film) in movies such as Double Indemnity and Chinatown, I asked students to write noir poems of their own. As a first step, I had students work in small groups to make a list of 50 concrete nouns, objects that fill the frame. When they were finished, I asked them to write down 10 “tough guy” lines. With that group-generated word pool, I asked individual students to tell a story that uses no verbs or adjectives that were not on their lists. (They could feel free to add “small words” such as articles and prepositions). For the sake of coherence, I didn’t really care if they broke these arbitrary rules, but for the most part they stayed within the parameters I laid out. Here is an example from Michael:

FEDORA CITY
Candle-lit brooches blinds the darkness

Whiskey perfumes the pearled dame:

Her thin eyebrows, false lashes, painted red lips. Manicured nails

Put pen to pad to pistol

Bourbon shadows suffocate

Every crowded bar
Police fire on the heels of her fur coat

Streetlamps spit halos of light in the boozy night

The Fedora City lights like a knife

A neon scream hits my gut like a brick

Gasping for my life, my lungs find only stale air

I need a drink
 
The broad beat it outta there quick,

dangling rope

earrings her only trace

A doll on the run,

a run in her stockings–
Camera to crime to cuffs.

Set match to photograph

Smothering the city in Venetian streaks

The blinds are drawn shut

Case closed.

Photo: Humphrey Bogart as Sam Spade in The Maltese Falcon, based on Dashiell Hammett‘s novel.