Archives for posts with tag: Joan Didion

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In this charming photo from 1969, novelist/screenwriter/essayist/writing icon Joan Didion reads HONEY BEAR by Dixie Willson to three-year-old daughter Quintana Roo Dunne. Since Didion is a writer par excellence, we are assuming that she picked only the best books to read to her daughter — and it follows that Honey Bear is a classic.

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Wow! Yes! None other than Tom Wolfe — author of one of my favorite novels THE BONFIRES OF THE VANITIES and many other fiction and nonfiction works — claims that Honey Bear by Dixie Willson was the piece of literature that inspired him to become a writer (no kidding!). Because Wolfe’s take on Willson’s book is so fascinating and informative, I’m including an excerpt from his musings below.

From “The Books that Made the Writers” (YALE ALUMNI MAGAZINE) by Tom Wolfe:

“…I was… galvanized…by a writer who never rated so much as a footnote to American literary history: Dixie Willson wrote…a book called Honey Bear in 1923. My mother used to read it to me at bedtime long before I knew one letter of the alphabet from another…Honey Bear is a narrative poem about a baby kidnapped from a bassinet by a black bear. Maginel Wright Barney drew and painted in the japanais Vienna Secession style. To me, her pictures were pure magic. But Honey Bear’s main attraction was Dixie Willson’s rollicking and rolling rhythm: anapestic quadrameter with spondees at regular intervals…The Willson beat made me think writing must be not only magical but fun…I resolved then and there, lying illiterate on a little pillow in a tiny bed, to be a writer. In homage to Dixie Willson, I’ve slipped a phrase or two from Honey Bear into every book I’ve written…”

To demonstrate why Tom Wolfe fell in love with Honey Bear, here’s a excerpt:

Once upon a summer in the hills by the river
Was a deep green forest where the wild things grew.
There were caves as dark as midnight—there were tangled trees and thickets
And a thousand little places where the sky looked through.

Read more of of “The Books that Made the Writers” at YALE ALUMNI REVIEW.

Photo: Joan Didion Reads Honey Bear by Dixie Willson to daughter Quintana Roo Dunne, Los Angeles Times, 1969, ALL RIGHTS RESERVED

Note: Honey Bear by Dixie Willson is currently out of print, but copies are usually available on ebay (starting at around  $100)…

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“I have never started a novel — I mean, except the first, when I was starting a novel just to start a novel — I’ve never written one without rereading Victory [byJoseph Conrad]. It opens up the possibilities of a novel. It makes it seem worth doing.”JOAN DIDION

Note: VICTORY by Joseph Conrad is available free in a variety of versions (including Kindle) at Project Gutenberg. Find it here. Conrad scholar Debra Romanick called the book, originally published in 1916, “…a highly complex allegorical work whose psychological landscape and narrative structure set the groundwork for the modern novel…”

Happy belated birthday to one of our writing heroes, Joan Didion, who turned 79 on December 5, 2013. 

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LOS ANGELES NOTEBOOK (Excerpt)

Essay by Joan Didion

It is three o’clock on a Sunday afternoon and 105 degrees and the air so thick with smog that the dusty palm trees loom up with a sudden and rather attractive mystery. I have been playing in the sprinklers with the baby and I get in the car and go to Ralphs Market on the corner of Sunset and Fuller wearing an old bikini bathing suit. This is not a very good thing to wear to the market but neither is it, at Ralphs on the corner of Sunset and Fuller, an unusual costume. Nonetheless a large woman in a cotton muumuu jams her cart into mine at the butcher counter. “What a thing to wear to the market,” she says in a loud but strangled voice. Everyone looks the other way and I study a plastic package of rib lamb chops and she repeats it. She follows me all over the store, to the Junior Foods, to the Dairy Products, to the Mexican Delicacies, jamming my cart whenever she can. Her husband plucks at her sleeve. As I leave the checkout counter, she raises her voice one last time: “What a thing to wear to Ralphs,” she says.

“Los Angeles Notebook” by Joan Didion is found in her collection of essays Slouching Toward Bethlehem, available at Amazon.com.

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THE WHITE ALBUM (Excerpt)
by Joan Didion

We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea…We interpret what we see, select the most workable of multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the “ideas” with which we have learned to freeze the shifting phantasmagoria which is our actual experience. Or at least we do for a while.…
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The White Album (1979), a book of essays by Joan Didion, is available at Amazon.com.

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“When I’m working on a book, I constantly retype my own sentences. Every day, I go back to page one and just retype what I have. It gets me into a rhythm.” JOAN DIDION

Graphic: “We tell ourselves stories in order to live” is the opening line of Joan Didion‘s essay “The White Album,” featured in her collection of the same name.

Find The White Album (1979), a book of 20 essays by Joan Didion  at Amazon.com.

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“Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course, you can rewrite, but the original strokes are still there in the texture of the thing.” JOAN DIDION

PAINTING: “Pink and Green Mountains,” 1915 watercolor by Georgia O’Keeffe

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LOS ANGELES NOTEBOOK (Excerpt)
by Joan Didion

There is something uneasy in the Los Angeles air this afternoon, some unnatural stillness, some tension. What it means is that tonight a Santa Ana will begin to blow, a hot wind from the northeast whining down through the Cajon and San Gorgonio Passes, blowing up sandstorms out along Route 66, drying the hills and the nerves to the flashpoint. For a few days now we will see smoke back in the canyons, and hear sirens in the night…It is hard for people who have not lived in Los Angeles to realize how radically the Santa Ana figures in the local imagination. The city burning is Los Angeles’s deepest image of itself…Los Angeles weather is the weather of catastrophe, of apocalypse, and….the violence and the unpredictability of the Santa Ana affect the entire quality of life in Los Angeles, accentuate its impermanence, its unreliability. The wind shows us how close to the edge we are.

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In 2011, journalist Hari Kunzru interviewed Joan Didion for a British magazine and covered many topics, including  her 1969 Corvette Stingray, made famous in photographs Julian Wasser shot for Life Magazine in 1972. Here are some excerpts. (Find more at this link.)

HK: I read an old interview with you this morning…which said that the 1969 Yellow Corvette Sting Ray Maria drives in Play It As It Lays was actually your car.

JD: It was my car.

HK: …So the Corvette was the car you were driving down the foggy road and trying to work out where the turn for your drive was, and where was just a steep cliff.

JD: Yes.

Photo: “Joan Didion and her 1969 yellow Corvette Stingray” Julian Wasser (1972), ALL RIGHTS RESERVED

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In this charming photo from 1969, novelist/screenwriter/essayist/writing icon Joan Didion reads HONEY BEAR by Dixie Willson to three-year-old daughter Quintana Roo Dunne. Since Didion is a writer par excellence, we are assuming that she picked only the best books to read to her daughter — and it follows that Honey Bear is a classic.

honey_bear

Wow! Yes! None other than Tom Wolfe — author of one of my favorite novels THE BONFIRES OF THE VANITIES and many other fiction and nonfiction works — claims that Honey Bear by Dixie Willson was the piece of literature that inspired him to become a writer (no kidding!). Because Wolfe’s take on Willson’s book is so fascinating and informative, I’m including an excerpt from his musings below.

From “The Books that Made the Writers” (YALE ALUMNI MAGAZINE) by Tom Wolfe:

“…I was… galvanized…by a writer who never rated so much as a footnote to American literary history: Dixie WillsonDixie Willson wrote, and Maginel Wright Barney illustrated, a book called Honey Bear in 1923. My mother used to read it to me at bedtime long before I knew one letter of the alphabet from another. Over and over she read it to me. I was small, but like many people my age I had already mastered the art of having things my way. I had memorized the entire poem in the passive sense that I could tell whenever Mother skipped a passage in the vain hope of getting the 110th or 232nd reading over with a little sooner. Oh, no-ho-ho…there was no fooling His Majesty the Baby. He wanted it all. He couldn’t get enough of it.

Honey Bear is a narrative poem about a baby kidnapped from a bassinet by a black bear. Maginel Wright Barney drew and painted in the japanais Vienna Secession style. To me, her pictures were pure magic. But Honey Bear’s main attraction was Dixie Willson’s rollicking and rolling rhythm: anapestic quadrameter with spondees at regular intervals. One has to read it out loud in order to be there:

Once upon a summer in the hills by the river
Was a deep green forest where the wild things grew.
There were caves as dark as midnight—there were tangled trees and thickets
And a thousand little places where the sky looked through.

The Willson beat made me think writing must be not only magical but fun…I resolved then and there, lying illiterate on a little pillow in a tiny bed, to be a writer. In homage to Dixie Willson, I’ve slipped a phrase or two from Honey Bear into every book I’ve written. I tucked the fourth line, above, into the opening chapter of The Right Stuff (page 4) from memory as I described how not-yet-an-Astronaut Pete Conrad’s and his Jean Simmons-lookalike wife Jane’s little white brick cottage near Jacksonville Naval Air Base was set in a thick green grove of pine trees with ‘a thousand little places where the sun peeks through.’ Peeks… looked… Ah, well, hey ho…”

Read more of of “The Books that Made the Writers” at YALE ALUMNI REVIEW.

Photo: Joan Didion Reads Honey Bear by Dixie Willson to daughter Quintana Roo Dunne, Los Angeles Times, 1969, ALL RIGHTS RESERVED

Note: Honey Bear by Dixie Willson is currently out of print, but copies are usually available on ebay (starting at around  $100)…

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“Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course, you can rewrite, but the original strokes are still there in the texture of the thing.” JOAN DIDION

PAINTING: “Pink and Green Mountains,” 1915 watercolor by Georgia O’Keeffe