Archives for posts with tag: laundry

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LAUNDRY
by Ruth Moose

All our life
so much laundry;
each day’s doing or not
comes clean,
flows off and away
to blend with other sins
of this world. Each day
begins in new skin,
blessed by the elements
charged to take us
out again to do or undo
what’s been assigned.
From socks to shirts
the selves we shed
lift off the line
as if they own
a life apart
from the one we offer.
There is joy in clean laundry.
All is forgiven in water, sun
and air. We offer our day’s deeds
to the blue-eyed sky, with soap and prayer,
our arms up, then lowered in supplication.

SOURCE: “Laundry” appears in Ruth Moose’s collection Making the Bed (Main Street Rag Press, 2004), available at Amazon.com.

Photo: Claire Brocato, ALL RIGHTS RESERVED

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IRONING
by Vicki Feaver

I used to iron everything:
my iron flying over sheets and towels
like a sledge chased by wolves over snow;

the flex twisting and crinking
until the sheath frayed, exposing
wires like nerves. I stood like a horse

with a smoking hoof,
inviting anyone who dared
to lie on my silver padded board,

to be pressed to the thinness
of dolls cut from paper.
I’d have commandeered a crane

if I could, got the welders at Jarrow
to heat me an iron the size of a tug
to flatten the house.

Then for years I ironed nothing.
I put the iron in a high cupboard.
I converted to crumpledness.

And now I iron again: shaking
dark spots of water onto wrinkled
silk, nosing into sleeves, round

buttons, breathing the sweet heated smell
hot metal draws from newly washed
cloth, until my blouse dries

to a shining, creaseless blue,
an airy shape with room to push
my arms, breasts, lungs, heart into.

SOURCE: “Ironing” appears in Vicki Feaver‘s collection The Handless Maiden (Random House, 1994), available at Amazon.com.

ABOUT THE AUTHOR:  Vicki Feaver (born Nottingham , England, 1943) is an English poet. She studied music at Durham University and English at University College, London, and later worked as a lecturer and tutor in English and Creative Writing at University College, Chichester, where she is an Emeritus Professor. She now lives with her psychiatrist husband in Dunsyre, South Lanarkshire, Scotland, at the foot of the Pentland Hills. She is the author of The Book of BloodClose Relatives, and The Handless MaidenThe Book of Blood was shortlisted for both the Forward Prize and the Costa Poetry Award. (Read more at Wikipedia.org.)

Painting: “A Woman Ironing” by Edgar Degas (1873)

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THINGS I SAY TO MYSELF WHILE HANGNG LAUNDRY
by Ruth Stone

If an ant, crossing on the clothesline

from apple tree to apple tree,

would think and think,

it probably could not dream up Albert Einstein.

Or even his sloppy moustache;

or the wrinkled skin bags under his eyes

that puffed out years later,

after he dreamed up that maddening relativity.

Even laundry is three-dimensional.

The ants cross its great fibrous forests
from clothespin to clothespin

carrying the very heart of life in their sacs or mandibles,

the very heart of the universe in their formic acid molecules.

And how refreshing the linens are,

lying in the clean sheets at night,

when you seem to be the only one on the mountain,

and your body feels the smooth touch of the bed
like love against your skin;

and the heavy sac of yourself relaxes into its embrace.

When you turn out the light,

you are blind in the dark

as perhaps the ants are blind,

with the same abstract leap out of this limiting dimension.

So that the very curve of light,

as it is pulled in the dimple of space,

is relative to your own blind pathway across the abyss.

And there in the dark is Albert Einstein

with his clever formula that looks like little mandibles

digging tunnels into the earth

and bringing it up, grain by grain,

the crystals of sand exploding
into white-hot radiant turbulence,

smiling at you, his shy bushy smile,

along an imaginary line from here to there.

“Things I Say to Myself While Hanging Laundry” appears in Ruth Stone’s collection Simplicity (Paris Press, 1996), available at Amazon.com.

Photo: ”Our Clothesline Is the Favorite Place for Ants” by  *katherine*photo*, ALL RIGHTS RESERVED

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ABOUT THE AUTHOR: Ruth Stone was born on June 8, 1915, in Roanoke, Virginia. Her books of poetry include What Love Comes To: New and Selected Poems (Copper Canyon Press, 2008), a finalist for the 2009 Pulitzer Prize; In the Dark (2004); In the Next Galaxy (2002) which received the 2010 National Book Award; Ordinary Words (Paris Press, 1999), which received the National Book Critics Circle Award; Simplicity (1996); Who Is the Widow’s Muse (1991); Second Hand Coat (1987); Cheap (1975); Topography (1971); In an Iridescent Time (1959). Stone was the recipient of the 2002 Wallace Stevens Award and received two Guggenheim Fellowships, The Bess Hokin Award from Poetry magazine, the Shelley Memorial Award, and the Vermont Cerf Award for lifetime achievement in the arts. She taught creative writing at several universities, including the State University of New York in Binghamton. A Vermont resident since 1957, she died at her home in Ripton, Vermont, on November 19, 2011. She was 96 years old. (Source: Poets.org)

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ODE TO IRONING
by Pablo Neruda

Poetry is white:
it comes from water swathed in drops,
it wrinkles and gathers,
this planet’s skin has to spread out,
the sea’s whiteness has to be ironed out,
and the hands keep moving,
the sacred surfaces get smoothed,
and things are done this way:
the hands make the world every day,
fire conjoins with steel,
linen, canvas, and cotton arrive
from the scuffles in the laundries,
and from light a dove is born:
chastity returns out of the foam.

Translated from the Spanish by Ilan Stavans.

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IRONING
by Vicki Feaver

I used to iron everything:
my iron flying over sheets and towels
like a sledge chased by wolves over snow;

the flex twisting and crinking
until the sheath frayed, exposing
wires like nerves. I stood like a horse

with a smoking hoof,
inviting anyone who dared
to lie on my silver padded board,

to be pressed to the thinness
of dolls cut from paper.
I’d have commandeered a crane

if I could, got the welders at Jarrow
to heat me an iron the size of a tug
to flatten the house.

Then for years I ironed nothing.
I put the iron in a high cupboard.
I converted to crumpledness.

And now I iron again: shaking
dark spots of water onto wrinkled
silk, nosing into sleeves, round

buttons, breathing the sweet heated smell
hot metal draws from newly washed
cloth, until my blouse dries

to a shining, creaseless blue,
an airy shape with room to push
my arms, breasts, lungs, heart into.

“Ironing” appears in Vicki Feaver‘s collection The Handless Maiden (Random House, 1994), available at Amazon.com.

ABOUT THE AUTHOR:  Vicki Feaver (born Nottingham , England, 1943) is an English poet. She studied music at Durham University and English at University College, London, and later worked as a lecturer and tutor in English and Creative Writing at University College, Chichester, where she is an Emeritus Professor. She now lives with her psychiatrist husband in Dunsyre, South Lanarkshire, Scotland, at the foot of the Pentland Hills. She is the author of The Book of BloodClose Relatives, and The Handless Maiden. The Book of Blood was shortlisted for both the Forward Prize and the Costa Poetry Award. (Read more at Wikipedia.org.)

Painting: “A Woman Ironing” by Edgar Degas (1873)

Image
ODE TO IRONING
by Pablo Neruda

Poetry is white:
it comes from water swathed in drops,
it wrinkles and gathers,
this planet’s skin has to spread out,
the sea’s whiteness has to be ironed out,
and the hands keep moving,
the sacred surfaces get smoothed,
and things are done this way:
the hands make the world every day,
fire conjoins with steel,
linen, canvas, and cotton arrive
from the scuffles in the laundries,
and from light a dove is born:
chastity returns out of the foam.

Translated from the Spanish by Ilan Stavans.

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“We should all do what, in the long run, gives us joy, even if it is only picking grapes or sorting the laundry.” E.B. WHITE, Author of Charlotte’s Web

Photo: “Harpo Hiding” by Bridget Zinn, author of Poison

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THINGS I SAY TO MYSELF WHILE HANGNG LAUNDRY
by Ruth Stone

If an ant, crossing on the clothesline

from apple tree to apple tree,

would think and think,

it probably could not dream up Albert Einstein.

Or even his sloppy moustache;

or the wrinkled skin bags under his eyes

that puffed out years later,

after he dreamed up that maddening relativity.

Even laundry is three-dimensional.

The ants cross its great fibrous forests
from clothespin to clothespin

carrying the very heart of life in their sacs or mandibles,

the very heart of the universe in their formic acid molecules.

And how refreshing the linens are,

lying in the clean sheets at night,

when you seem to be the only one on the mountain,

and your body feels the smooth touch of the bed
like love against your skin;

and the heavy sac of yourself relaxes into its embrace.

When you turn out the light,

you are blind in the dark

as perhaps the ants are blind,

with the same abstract leap out of this limiting dimension.

So that the very curve of light,

as it is pulled in the dimple of space,

is relative to your own blind pathway across the abyss.

And there in the dark is Albert Einstein

with his clever formula that looks like little mandibles

digging tunnels into the earth

and bringing it up, grain by grain,

the crystals of sand exploding
into white-hot radiant turbulence,

smiling at you, his shy bushy smile,

along an imaginary line from here to there.

“Things I Say to Myself While Hanging Laundry” appears in Ruth Stone’s collection Simplicity (Paris Press, 1996), available at Amazon.com.

Photo: “Our Clothesline Is the Favorite Place for Ants” by  *katherine*photo*, ALL RIGHTS RESERVED

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ABOUT THE AUTHOR: Ruth Stone was born on June 8, 1915, in Roanoke, Virginia. Her books of poetry include What Love Comes To: New and Selected Poems (Copper Canyon Press, 2008), a finalist for the 2009 Pulitzer Prize; In the Dark (2004); In the Next Galaxy (2002) which received the 2010 National Book Award; Ordinary Words (Paris Press, 1999), which received the National Book Critics Circle Award; Simplicity (1996); Who Is the Widow’s Muse (1991); Second Hand Coat (1987); Cheap (1975); Topography (1971); In an Iridescent Time (1959). Stone was the recipient of the 2002 Wallace Stevens Award and received two Guggenheim Fellowships, The Bess Hokin Award from Poetry magazine, the Shelley Memorial Award, and the Vermont Cerf Award for lifetime achievement in the arts. She taught creative writing at several universities, including the State University of New York in Binghamton. A Vermont resident since 1957, she died at her home in Ripton, Vermont, on November 19, 2011. She was 96 years old. (Source: Poets.org)

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LAUNDRY
by Ruth Moose

All our life
so much laundry;
each day’s doing or not
comes clean,
flows off and away
to blend with other sins
of this world. Each day
begins in new skin,
blessed by the elements
charged to take us
out again to do or undo
what’s been assigned.
From socks to shirts
the selves we shed
lift off the line
as if they own
a life apart
from the one we offer.
There is joy in clean laundry.
All is forgiven in water, sun
and air. We offer our day’s deeds
to the blue-eyed sky, with soap and prayer,
our arms up, then lowered in supplication.

“Laundry” appears in Ruth Moose’s collection Making the Bed (Main Street Rag Press, 2004), available at Amazon.com.

Photo: Claire Brocato, ALL RIGHTS RESERVED

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WASH
by Jane Kenyon

All day the blanket snapped and swelled

on the line, roused by a hot spring wind…
From there it witnessed the first sparrow,

early flies lifting their sticky feet,

and a green haze on the south-sloping hills.

Clouds rose over the mountain…At dusk

I took the blanket in, and we slept,
restless, under its fragrant weight.

Photo by haunted snowfort, ALL RIGHTS RESERVED