Archives for posts with tag: Nobel Prize

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In the Winter 1981 issue of The Paris Review, Nobel Prize winning novelist Gabriel Garcia Marquez discusses inspiration. (Read the entire interview at The Paris Review.) Here are some excerpts:

I can only work in surroundings that are familiar and have already been warmed up with my work. I cannot write in hotels or borrowed rooms or on borrowed typewriters. This creates problems because when I travel I can’t work…You hope for inspiration whatever the circumstances…

I’m convinced that there is a special state of mind in which you can write with great ease and things just flow. All the pretexts—such as the one where you can only write at home—disappear. That moment and that state of mind seem to come when you have found the right theme and the right ways of treating it. And it has to be something you really like, too, because there is no worse job than doing something you don’t like…

Inspiration is when you find the right theme, one which you really like; that makes the work much easier. Intuition, which is also fundamental to writing fiction, is a special quality which helps you to decipher what is real without needing scientific knowledge, or any other special kind of learning…For a novelist, intuition is essential. Basically it’s contrary to intellectualism, which is probably the thing that I detest most in the world—in the sense that the real world is turned into a kind of immovable theory. Intuition has the advantage that either it is, or it isn’t. You don’t struggle to try to put a round peg into a square hole.

Illustration: Gabriel Garcia Marquez by Margarita Karol, ALL RIGHTS RESERVED. 

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ODE TO ENCHANTED LIGHT
by Pablo Neruda

Under the trees light
has dropped from the top of the sky,
light
like a green
latticework of branches,
shining
on every leaf,
drifting down like clean
white sand.

A cicada sends
its sawing song
high into the empty air.

The world is
a glass overflowing
with water.

PAINTING: “A Ray of Light,” watercolor by Derek Collins, ALL RIGHTS RESERVED. Prints available at etsy.com.

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“A child who does not play is not a child, but the man who does not play has lost forever the child who lived in him and whom he will miss terribly.” PABLO NERUDA

Illustration: Wall Art in Valparaiso, Chile — photo by Janet Rudolph, ALL RIGHTS RESERVED

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ODE TO THE PRESENT
by Pablo Neruda

This
present moment,
smooth
as a wooden slab,
this
immaculate hour,
this day
pure
as a new cup
from the past–
no spider web
exists–
with our fingers,
we caress
the present; we cut it
according to our magnitude
we guide
the unfolding of its blossoms.
It is living,
alive–
it contains
nothing
from the unrepairable past,
from the lost past,
it is our
infant,
growing at
this very moment, adorned with
sand, eating from
our hands.
Grab it.
Don’t let it slip away.
Don’t lose it in dreams
or words.
Clutch it.
Tie it,
and order it
to obey you.
Make it a road,
a bell,
a machine,
a kiss, a book,
a caress.
Take a saw to its delicious
wooden
perfume.
And make a chair;
braid its
back;
test it.
Or then, build
a staircase! Yes, a
staircase.
Climb
into
the present,
step
by step,
press your feet
onto the resinous wood
of this moment,
going up,
going up,
not very high,
just so
you repair
the leaky roof.
Don’t go all the way to heaven.
Reach
for apples,
not the clouds.
Let them
fluff through the sky,
skimming passage,
into the past. You
are
your present,
your own apple.
Pick it from
your tree.
Raise it
in your hand.
It’s gleaming,
rich with stars.
Claim it.
Take a luxurious bite
out of the present,
and whistle along the road
of your destiny.

ABOUT THE AUTHOR: Pablo Neruda (1904-1973) was the pen name of the Chilean poet, diplomat and politician Neftali Ricardo ReyesBasoalto. He chose his pseudonym after Czech poet Jan Neruda. In 1971, Pablo Neruda won the Nobel Prize for Literature. Neruda often wrote in green ink because it was his personal symbol of desire and hope. Colombian novelist Gabriel García Márquez called him “the greatest poet of the 20th century in any language.” (Source: Wikipedia)

Illustration: “Apple Abstract” by Susana Fernandez, ALL RIGHTS RESERVED.

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“In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer, and I take up my pen to write.” PEARL S. BUCK (1892-1973), winner of the 1938 Nobel Prize in Literature

Photo: Pearl S. Buck with paper and pen, 1950s.

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In the Winter 1981 issue of The Paris Review, Nobel Prize winning novelist Gabriel Garcia Marquez discusses inspiration. (Read the entire interview at The Paris Review.) Here are some excerpts:

I can only work in surroundings that are familiar and have already been warmed up with my work. I cannot write in hotels or borrowed rooms or on borrowed typewriters. This creates problems because when I travel I can’t work…You hope for inspiration whatever the circumstances…

I’m convinced that there is a special state of mind in which you can write with great ease and things just flow. All the pretexts—such as the one where you can only write at home—disappear. That moment and that state of mind seem to come when you have found the right theme and the right ways of treating it. And it has to be something you really like, too, because there is no worse job than doing something you don’t like…

Inspiration is when you find the right theme, one which you really like; that makes the work much easier. Intuition, which is also fundamental to writing fiction, is a special quality which helps you to decipher what is real without needing scientific knowledge, or any other special kind of learning…For a novelist, intuition is essential. Basically it’s contrary to intellectualism, which is probably the thing that I detest most in the world—in the sense that the real world is turned into a kind of immovable theory. Intuition has the advantage that either it is, or it isn’t. You don’t struggle to try to put a round peg into a square hole.

 Illustration: Gabriel Garcia Marquez by Margarita Karol, ALL RIGHTS RESERVED. 

Image
“A child who does not play is not a child, but the man who does not play has lost forever the child who lived in him and whom he will miss terribly.” PABLO NERUDA

Illustration: Wall Art in Valparaiso, Chile — photo by Janet Rudolph, ALL RIGHTS RESERVED

Image
ODE TO ENCHANTED LIGHT
by Pablo Neruda

Under the trees light
has dropped from the top of the sky,
light
like a green
latticework of branches,
shining
on every leaf,
drifting down like clean
white sand.

A cicada sends
its sawing song
high into the empty air.

The world is
a glass overflowing
with water.

PAINTING: “A Ray of Light,” watercolor by Derek Collins, ALL RIGHTS RESERVED. Prints available at etsy.com.

Image
ODE TO THE PRESENT
by Pablo Neruda

This
present moment,
smooth
as a wooden slab,
this
immaculate hour,
this day
pure
as a new cup
from the past–
no spider web
exists–
with our fingers,
we caress
the present;we cut it
according to our magnitude
we guide
the unfolding of its blossoms.
It is living,
alive–
it contains
nothing
from the unrepairable past,
from the lost past,
it is our
infant,
growing at
this very moment, adorned with
sand, eating from
our hands.
Grab it.
Don’t let it slip away.
Don’t lose it in dreams
or words.
Clutch it.
Tie it,
and order it
to obey you.
Make it a road,
a bell,
a machine,
a kiss, a book,
a caress.
Take a saw to its delicious
wooden
perfume.
And make a chair;
braid its
back;
test it.
Or then, build
a staircase! Yes, a
staircase.
Climb
into
the present,
step
by step,
press your feet
onto the resinous wood
of this moment,
going up,
going up,
not very high,
just so
you repair
the leaky roof.
Don’t go all the way to heaven.
Reach
for apples,
not the clouds.
Let them
fluff through the sky,
skimming passage,
into the past.You
are
your present,
your own apple.
Pick it from
your tree.
Raise it
in your hand.
It’s gleaming,
rich with stars.
Claim it.
Take a luxurious bite
out of the present,
and whistle along the road
of your destiny.

ABOUT THE AUTHOR: Pablo Neruda (1904-1973) was the pen name of the Chilean poet, diplomat and politician Neftali Ricardo Reyes Basoalto. He chose his pseudonym after Czech poet Jan Neruda. In 1971, Pablo Neruda won the Nobel Prize for Literature. Neruda often wrote in green ink because it was his personal symbol of desire and hope. Colombian novelist Gabriel García Márquez called him “the greatest poet of the 20th century in any language.” (Source: Wikipedia)

Illustration: “Apple Abstract” by Susana Fernandez, ALL RIGHTS RESERVED.

Image
“In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer, and I take up my pen to write.”

PEARL S. BUCK (1892-1973), author of the Pulitzer-Prize winning novel The Good Earth (1931), winner of the 1938 Nobel Prize in Literature

Photo: Pearl S. Buck with paper and pen, 1950s.