Archives for posts with tag: Photo

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LIVING AT THE END OF TIME
by Robert  Bly

There is so much sweetness in children’s voices,
And so much discontent at the end of day,
And so much satisfaction when a train goes by.
 
I don’t know why the rooster keeps crying,
Nor why elephants keep raising their trunks,
Nor why Hawthorne kept hearing trains at night.
 
A handsome child is a gift from God,
And a friend is a vein in the back of the hand,
And a wound is an inheritance from the wind.
 
Some say we are living at the end of time,
But I believe a thousand pagan ministers
Will arrive tomorrow to baptize the wind.
 
There’s nothing we need to do about John. The Baptist
Has been laying his hands on earth for so long
That the well water is sweet for a hundred miles.
 
It’s all right if we don’t know what the rooster
Is saying in the middle of the night, nor why we feel
So much satisfaction when a train goes by.

ABOUT THE AUTHOR: Robert Bly (born December 23, 1926) is an American poet and author of Iron John: A Book About Men (1990), a key text of the mythopoetic men’s movement, which spent 62 weeks on the The New York Times Best Seller list. He won the 1968 National Book Award for Poetry for his book The Light Around the Body. (Read more at wikipedia.org.)

PHOTO: “Train at Sunset, New Mexico” (1941) by Jack Delano.

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In August 1969, Iain Macmillan shot the photo that would become the cover of Abbey Road, the Beatles‘ 11th (and last) studio album. Abbey Road was first album ever to omit the artist and title from the cover — a photographer’s dream: the cover consisted of the photo, the whole photo, and nothing but the photo. Macmillan had just 10 minutes to shoot the photograph — standing on a step ladder while a policeman stopped traffic.

Besides John, barefoot Paul, George, and Ringo, the photo included two notable features. The first was the white VW beetle on the left with license plate number LMW 281F. After Abbey Road’s September 1969 release, the car’s license plate was repeatedly stolen by souvenir seekers. The second notable feature was Paul Cole, the man standing in the mid-right-hand portion of the photo — an American tourist who had no idea he’d ended up in the shot until the album came out.

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FORTUNE HAS ITS COOKIES TO GIVE OUT
by Lawrence Ferlinghetti

Fortune

                   has its cookies to give out

which is a good thing

                    since its been a long time since

         that summer in Brooklyn

     when they closed off the street

             one hot day

                and the
                     FIREMEN

                         turned on their hoses

    and all the kids ran out in it

     in the middle of the street

      and there were

                maybe a couple dozen of us

                                   out there

with the water squirting up

                      to the

                         sky

                               and all over

                                         us

     there was maybe only six of us

                           kids altogether

               running around in our

                         barefeet and birthday

          suits

                 and I remember Molly but then

           the firemen stopped squirting their hoses

                 all of a sudden and went

                      back in

               their firehouse

                        and

          started playing pinochle again

               just as if nothing

                    had ever

                          happened

     while I remember Molly
                      looked at me and

          ran in

     because I guess really we were the only ones there

Photo: “Summer, Lower East Side, Manhattan, 1937″ (detail) by Arthur Fellig, AKA Weegee.

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Photo: F. Scott Fitzgerald with wife Zelda and daughter Scottie, 1923, in the sports coupé the author purchased a few years earlier after selling his first novel, THIS SIDE OF PARADISE.

“When I was a boy, I dreamed that I sat always at the wheel of a magnificent Stutz, a Stutz as low as a snake and as red as an Indiana barn.”

F. SCOTT FITZGERALD

According to an insightful 1993 article entitled “The Automobile as a Central Symbol in F. Scott Fitzgerald” by Luis Girón Echevarría:

“The cars in Fitzgerald’s life provide a rough gauge by which to measure the discrepancy between the dream and reality of his life, as well as his waning fortunes, and his journey from careless, irresponsible youth to cautious, worried middle-age…

His first car, purchased in 1920 after the publication of his best-selling first novel, This Side of Paradise, was a three-year-oíd sports coupé; during the next two decades he would own a used Rolls-Royce, an oíd Buick, [a] Stutz, a nine-year-old Packard, an oíd 1934 Ford coupé, and, finally, a second-hand 1937 Ford convertible

It was Fitzgerald’s destiny to begin life dreaming of a magnificent red Stutz Bearcat and to end up driving a second-hand Ford. But during the interval he wrote of America’s dreams and of America’s enduring love affair with the automobile.”

Read more of this fascinating article here.

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FORTUNE HAS ITS COOKIES TO GIVE OUT
by Lawrence Ferlinghetti

Fortune

                   has its cookies to give out

which is a good thing

                    since its been a long time since

         that summer in Brooklyn

     when they closed off the street

             one hot day

                and the
                     FIREMEN

                         turned on their hoses

    and all the kids ran out in it

     in the middle of the street

      and there were

                maybe a couple dozen of us

                                   out there

with the water squirting up

                      to the

                         sky

                               and all over

                                         us

     there was maybe only six of us

                           kids altogether

               running around in our

                         barefeet and birthday

          suits

                 and I remember Molly but then

           the firemen stopped squirting their hoses

                 all of a sudden and went

                      back in

               their firehouse

                        and

          started playing pinochle again

               just as if nothing

                    had ever

                          happened

     while I remember Molly
                      looked at me and

          ran in

     because I guess really we were the only ones there

Photo: “Summer, Lower East Side, Manhattan, 1937” (detail) by Arthur Fellig, AKA Weegee.

Image
Photo: F. Scott Fitzgerald with wife Zelda and daughter Scottie, 1923, in the sports coupé the author purchased a few years earlier after selling his first novel, THIS SIDE OF PARADISE.

“When I was a boy, I dreamed that I sat always at the wheel of a magnificent Stutz, a Stutz as low as a snake and as red as an Indiana barn.”

F. SCOTT FITZGERALD

According to an insightful 1993 article entitled “The Automobile as a Central Symbol in F. Scott Fitzgerald” by Luis Girón Echevarría:

“The cars in Fitzgerald’s life provide a rough gauge by which to measure the discrepancy between the dream and reality of his life, as well as his waning fortunes, and his journey from careless, irresponsible youth to cautious, worried middle-age…

His first car, purchased in 1920 after the publication of his best-selling first novel, This Side of Paradise, was a three-year-oíd sports coupé; during the next two decades he would own a used Rolls-Royce, an oíd Buick, [a] Stutz, a nine-year-old Packard, an oíd 1934 Ford coupé, and, finally, a second-hand 1937 Ford convertible

It was Fitzgerald’s destiny to begin life dreaming of a magnificent red Stutz Bearcat and to end up driving a second-hand Ford. But during the interval he wrote of America’s dreams and of America’s enduring love affair with the automobile.”

Read more of this fascinating article here.

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“I learned this, at least, by my experiment: that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours.” From Walden, Or Life in the Woods by HENRY DAVID THOREAU

Photo: “Walden Pond at Sunset” by Meridith Louise, ALL RIGHTS RESERVED

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A FALLEN FLOWER

Zen Haiku by Moritake

A fallen flower

Flew back to its perch

A butterfly.

Photo: Shelly Osborne, ALL RIGHTS RESERVED

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On this day in 1969, Iain Macmillan shot the photo that would become the cover of Abbey Road, the Beatles‘ 11th (and last) studio album. Abbey Road was first album ever to omit the artist and title from the cover — a photographer’s dream: the cover consisted of the photo, the whole photo, and nothing but the photo. Macmillan had just 10 minutes to shoot the photograph — standing on a step ladder while a policeman stopped traffic.

Besides John, barefoot Paul, George, and Ringo, the photo included two notable features. The first was the white VW beetle on the left with license plate number LMW 281F. After Abbey Road’s September 1969 release, the car’s license plate was repeatedly stolen by souvenir seekers. The second notable feature was Paul Cole, the man standing in the mid-right-hand portion of the photo — an American tourist who had no idea he’d ended up in the shot until the album came out.

I know what I’ll be listening to today!