Archives for posts with tag: plot

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Aspiring writers love to barrage established writers with nuts-and-bolts questions: Where do you write? When do you write? How many hours do you write each day? Long hand or keyboard? Do you outline? Do you write character bios?

My favorite answer regarding plot comes from the boy pictured above who grew up to be probably the most successful novelist of all time. Yes, it’s Stephen King, and whether or not you enjoy his productions, you’ve got to admire his skill and sheer output. (For the record, I admire King as a writer and as a human being and have enjoyed many of his books — especially Thinner and Misery.)

Here’s what the King has to say about plot:

I distrust plot…because I believe plotting and the spontaneity of real creation aren’t compatible. A strong enough situation renders the whole question of plot moot. The most interesting situations can usually be expressed as a what-if question.

King explains that all of his novels started out as a situation that popped into his mind while showering, driving, or walking. (Such as the situation that led to the novel CujoWhat if a young mother and her son became trapped in their car by a rabid dog?) 

The most startling revelation, to me, is that King not only never plots his books, but he also never even scribbles down “a single note on a single scrap of paper.”

Excerpt taken from On Writing: A Memoir of the Craf by Stephen King.

Photo: Stephen King, age five.

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In my June 26th post about Stephen King’s views on plotting (he said don’t do it!), I mentioned that Charles Dickens was probably another novelist who didn’t plot out his books or make notes. Writer Carol DeChant advised that Dickens did, in fact, make notes — lots of them! — and suggested I refer to a book published by the University of Chicago Press.

Dickens’ Working Notes for His Novels is currently selling — and this is a new copy, not a collector’s item — for $132.50 on Amazon. I checked with the L.A. Public Library, but it only carries one reference copy. The good news is that some of the book is available via Amazon’s “Look Inside” feature.

Thanks for the tip, Carol. I only wish I could read the entire book!

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Aspiring writers love to barrage established writers with nuts-and-bolts questions: Where do you write? When do you write? How many hours do you write each day? Long hand or keyboard? Do you outline? Do you write character bios?

My favorite answer regarding plot comes from the boy pictured above who grew up to be probably the most successful novelist of all time. Yes, it’s Stephen King, and whether or not you enjoy his productions, you’ve got to admire his skill and sheer output. (For the record, I admire King as a writer and as a human being and have enjoyed many of his books — especially Thinner and Misery.)

Here’s what the King has to say about plot:

I distrust plot…because I believe plotting and the spontaneity of real creation aren’t compatible. A strong enough situation renders the whole question of plot moot. The most interesting situations can usually be expressed as a what-if question.

King explains that all of his novels started out as a situation that popped into his mind while showering, driving, or walking. (Such as the situation that led to the novel Cujo: What if a young mother and her son became trapped in their car by a rabid dog?) 

The most startling revelation, to me, is that King not only never plots his books, but he also never even scribbles down “a single note on a single scrap of paper.” (I have a feeling that Dickens worked the same way.)

Merci for the advice, Monsieur du Roi.

Excerpt taken from On Writing: A Memoir of the Craft  — Stephen King’s wonderful book on the craft of writing.

Photo: Found on Flickr