Archives for posts with tag: Statue of Liberty

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Artwork: “Statue of Liberty” (silkscreen, 1962) by Andy Warhol

This Andy Warhol silkscreen of the Statue of Liberty sold for $43.8 million at a 2012 Christie’s sale in New York. The artwork features multiple images of the statue, each depicted with a 3-D effect. Christie’s marketed the piece in a catalogue that came with a pair of 3-D glasses — and a private collector with $43.8 million to spare won the auction. As they say, art is worth what someone is willing to pay for it.

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A man watches the rising tide in Battery Park as Hurricane Sandy makes its approach in New York. (Andrew Kelly/Reuters, Oct. 29, 2012)

Today, our thoughts are with the people from Georgia to Maine affected by Hurricane Sandy.  There are no words that can adequately express our concern, but we just wanted to thank all the brave souls — rescue workers, firefighters, medical personnel, and others — who have helped (and continue to assist) the weak, sick, infirm, and those in harm’s way.

Of the hundreds of Sandy-related photos I’ve viewed during the past few days, the one featured above by Andrew Kelly of Reuters is my favorite. In fact, I’ll go so far as to say that this is one of the best photographs I’ve ever seen — anywhere, anytime.

The photo’s composition is masterful — the top bar of the fence parallel with the horizon line, the man in the foreground facing the Statue of Liberty in the distance, the ripples on the ocean mirrored by the rippled water on the ground, the bench on the right a counterpoint to Liberty Island beyond.

Then there’s the man in blue standing on the left-hand bench looking out to sea like an explorer. I was going to call the color of his pants and jacket  “Titian blue,” but this photo is reminiscent of a Edward Hopper painting — and I didn’t want to mix my art-related metaphors.

While I couldn’t find any Hopper paintings of “man on shore facing impending storm,” I did find many of people facing the vast sea, even if they were just sitting on the beach. The man in blue in this photo doesn’t want to stay home. He is a New Yorker and he wants to be where the action is. He wants to meet and greet Sandy, wants to see what she’s all about. And if this whole storm took him by surprise and he’s unprepared, no problem — he’s a New Yorker and will improvise, just give him some Glad Bags and he’ll make himself some rain boots.

This photo speaks volumes more to me, but, for now, I think I’ll just leave it at that.

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…they were clear of the last twinkling streetlight of the last swampy suburb. Then they were in darkness in the center of the salt marshes. Ignatius looked out at the highway marker that reflected their headlights. U.S. 11. The marker flew past. He rolled down the window an inch or two and breathed the salt air blowing in over the marshes from the Gulf…He breathed again, this time more deeply. The dull headache was lifting.”

From the final page of A Confederacy of DuncesPulitzer-Prize-winning novel by John Kennedy Toole, originally published in 1980

Photo: Victor Grigas (street art in Rio de Janeiro, Brasil)

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Looking good from head to toe! Check out Ken Burns‘ 1985 documentary, The Statue of Liberty, here.

Photo: Jack E. Boucher (1984), Library of Congress