Archives for posts with tag: Wallace Stevens

by Wallace Stevens

At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird’s cry at daylight or before,
In the early March wind

The sun was rising at six,
No longer a battered panache above snow . . .
It would have been outside.

It was not from the vast ventriloquism
Of sleep’s faded papier mâché . . .
The sun was coming from outside.

That scrawny cry—it was
A chorister whose c preceded the choir.
It was part of the colossal sun,

Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.

SOURCE: “Not Ideas About the Thing but the Thing Itself” appears in The Collected Poems of Wallace Stevens (Alfred A. Knopf, 1954).

IMAGE: Sunrise on the roof top” by Nomad Art and Design. Prints available at


ABOUT THE AUTHOR: Wallace Stevens (1879–1955) was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955. (SOURCE:

by Wallace Stevens

The house was quiet and the world was calm.
The reader became the book; and summer night

Was like the conscious being of the book.
The house was quiet and the world was calm.

The words were spoken as if there was no book,
Except that the reader leaned above the page,

Wanted to lean, wanted much to be
The scholar to whom his book is true, to whom

The summer night is like a perfection of thought.
The house was quiet because it had to be.

The quiet was part of the meaning, part of the mind:
The access of perfection to the page.

And the world was calm. The truth in a calm world,
In which there is no other meaning, itself

Is calm, itself is summer and night, itself
Is the reader leaning late and reading there. 

Credit: Lawrence Schwartzwald/Splashnews, ALL RIGHTS RESERVED

Editor’s Note: Not sure which edition of Wallace Stevens‘ collected poems that poet/rock star Patti Smith is reading in this photo — wasn’t able to find the book cover on Amazon, Google, or ebay.  Wallace Stevens (1879-1955) spent most of his life working as an executive for an insurance company in Hartford, Connecticut. In 1955 — the year of his death at age 75 — he won the Pulitzer Prize for his Collected Poems. Read more about this inspiring poet at


UPDATE: In the photo above, Patti Smith is reading The Cambridge Companion to Wallace Stevens (not The Collected Poems of Wallace Stevens as we at first thought).



October 2012 marks the 100th anniversary of Poetry Magazine — the brainchild and life-long passion of Harriet Monroe. Born in Chicago in 1860, Monroe’s poetry career began at age 29 when Century Magazine published her poem “With a Copy of Shelly.”

While she tried to devote herself full-time to poetry, she needed to earn a living — and there were few opportunities at the time for poets. She later reflected, “The minor painter or sculptor was honored with large annual awards in our greatest cities, while the minor poet was a joke of the paragraphers, subject to the popular prejudice that his art thrived best on starvation in a garret.”

While working as a freelance correspondent for the Chicago Tribune in 1892, she was asked to write a poem to mark the 400th anniversary of Columbus’s arrival in the New World. When the New York World reprinted the poem without her permission, she sued and received a $5,000 judgment.


The monetary award served as seed money for Monroe’s lofty ambition — a respected poetry publication that paid contributors a respectable sum for their work. Monroe realized that to launch her magazine, she’d need to make a commitment to her readers and contributors to be there — and not go under for lack of funds.

She got the brilliant idea to go to 100 prominent Chicago business leaders and ask each to take out a five-year subscription — at a $50 annual fee. With the initial year’s subscriptions coupled with her settlement money, Monroe launched Poetry Magazine in 1912. (First issue pictured above.)

For the publication’s first two years, Monroe served as non-paid editor while working as art critic for the Chicago Tribune. In 1914, she began to devote herself full-time to Poetry Magazine, at a subsidence salary of $50 per month. (About ten years later, she was still pouring all subscription money into the magazine and to pay contributors — but managed to raise her salary to a still-low $100 per month.)

Poetry Magazine has been credited with bringing poetry into the modern age — and democratizing the art. When soliciting work from writers, Monroe promised an open-door policy and “…a chance to be heard in their own place, without the limitations imposed by the popular magazine…this magazine will appeal to, and it may be hoped, will develop, a public primarily interested in poetry as an art, as the highest, most complete expression of truth and beauty.”

Over the century, Poetry Magazine has counted some of the country’s leading poets as among its discoveries. These include: Gwendolyn Brooks, James Merrill, and John Ashbery. The magazine’s biggest coup was the 1915 publication of  T.S. Eliot’s “The Love Song of J. Alfred Prufrock.” Other prominent contributors include: Ezra Pound, William Butler Yeats, Wallace Stevens, Carl Sandburg, and William Carlos Williams. Poetry Magazine is currently published by the Chicago-based Poetry Foundation.

Harriet Monroe continued to serve as editor of Poetry Magazine until her death in 1936, at age 75, while in Peru on her way to climb Macchu Picchu. But her beloved publication lives on — what a legacy! 

Note: A nod to Wikipedia for information used in this article.