Archives for posts with tag: mother

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My Mother Called Me “The Faucet”
by Joan Leotta

Salty water spilled down my cheeks
and my nose reddened often by
tangled emotions, a heart quite
easily shattered by hard words,
imagined slights, sadnesses I saw
in others but could not cure.

My mother called me “the faucet”
Or simply pretended to ignore my outpouring
of watery emotion though her
words or ignoring me,
made me cry all the more.

Finally, after realizing
her “tough love” strategy was
not having the desired effect,
she explained her “naming, teasing”
was not meant to cause more pain.

“You see,” she explained, “you cannot
cry aloud so easily.
You simply cannot let ‘them’ know
they’ve cut the strings of your inner
music—no matter who
‘they’ is. They will see your tears
as weakness, not the wonderful
tenderness it truly is.
Hold back my little love.
Do not let your sorrow flow freely
out on the world’s stage, in front of strangers.
Save the tears for those you trust,
those who will value your sorrow
as an opening to your inner self.
Use the sorrow, the tears kept
Inside as a magic elixir to fight
Those who prey on you and others.
Turn your sorrow into action in front of them.”

I learned to control the “faucet.”
Tears became a hidden river,
powering a flood of action
for justice, for myself and others,
to action to defend myself with logic
to release the flow only in the presence
of those who love me.
Even now when I feel my old eyes
holding back a tidal wave of tears,
I remember and act on my mother’s admonition.

However, though I wonder now
what she was holding deep inside,
she who never cried in front of anyone,
that I saw, and how she had learned,
likely by experience, the hard lesson she
sought to teach me through words,
but I never asked her.
I wish I had asked her, and then said,
“Mama, you can cry in front of me.
I will always love you.”

PAINTING: Soul and Tears by Laurel Burch.

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AUTHOR’S PHOTO CAPTION: This photo is of my mother and me early in 1990s. I chose it because I’m wearing the dress my daughter says she “sees” me in when she thinks of me and my dear mother loved that checked suit she is wearing. I think the photo may have been snapped on Mother’s Day in 1990 or 1991.

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ABOUT THE AUTHOR: Joan Leotta is a writer and story performer who has always loved her mother very deeply. Joan’s poems, essays, books, and articles have appeared in many journals, including Silver Birch Press, The Ekphrastic Review, One Art, McQueen’s Quinterly, and others. She has been nominated twice for Best of the Net and for the Pushcart Prize. While her website is in the process of being redone, you can find her latest escapades, including news about her peformances as Louisa May Alcott, on her Facebook page. On X, she is @joanleottawrite. Her latest collection of poems, Feathers on Stone is available from Main Street Rag.

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Burden: the word I knew so well so young
by Diane Funston

Mom is made of glass
hollow and fragile
ready to break.
I was a daughter
of another mother—
her own
I grew up in a waterfalls city
both cistern and fountain
towards and away

Raised by grandmother
Mom was relieved of the burden
a word I knew so well
it surprised my first-grade teacher

We had cats when I was little
Mom baby-talked to
They were bid hello and goodbye
when she entered and left rooms
I was given the silent treatment
cats spoken to with exaggerated volume
hurt my ears and my heart

I never bonded as her daughter
She was a puerile
rebellious sister at best
Grandma was vanilla sugar love
died too soon in my adolescence
I became Mom’s parent
always in those roles

I forgave her years ago
accepted her revisionist apologies
believed after I raised three sons well
I could ease the winter of her elder years

She lives with us now
rescued from a senior high rise
New York State winters
threats of the plague

So little conversation
silent breakfast/ lunch/ dinner
a car passenger without sound
staring straight ahead
Then tv time in evening
we watch Netflix series together
volume loud considering closed captioning
I welcome these now familiar
fictional characters
and consider them as family

PAINTING: Rain, Heavy at Times by Jane Wilson (2004).

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NOTE FROM THE AUTHOR: This poem is bittersweet. It paints my mother as she always has been, an adult who never grew up or wanted the responsibility of motherhood. It also pays homage to my grandmother, my mother’s mother, who raised me and who I bonded to as mother.

PHOTO: The author (left) and her mother.

ABOUT THE AUTHOR: Diane Funston (she/hers) writes poetry of nature and human nature. For two years, she has been the Yuba-Sutter Arts and Culture Poet-in-Residence. In this role, she created Poetry Square, a monthly online venue that featured poets from around the world reading their work and discussing creative process. Her work has appeared in Synkronicity, California Quarterly, Whirlwind, San Diego Poetry Annual, Summation, Tule Review, Lake Affect Magazine, F(r)iction, and other literary journals. Her first chapbook, Over the Falls, was published by Foothills Publishing in July 2022.

90th birthday
Mom at Ninety
by Thomas Zampino

Mom is turning ninety in April, a milestone that she herself would never have predicted.

The only daughter among four siblings. Depression-era babies who witnessed dizzying social changes, endless wars, and outsourced garment district work that once kept their impoverished family fed in tough times.

Mom outlived her three brothers, including the much younger one that she helped to raise. And she has surpassed, by many years, the only man she will ever love still calling out his name on the loneliest of nights.

A grandmother at forty-seven, and now a great-grandmother several times over, she remains fiercely independent: cooking, cleaning, shopping, and doting on her family. And always up for a new board game or two with friends.

As my wife has said more than once, with just a slight change of circumstances mom could well have been the CEO of a large organization. There’s no doubt in my mind that it would have been one designed to help families.

She still has lots left to do and no one to stop her.

Mom is turning ninety in April, a milestone that she herself must now feel was inevitable.

Photo by ProStockStudio. 

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NOTE FROM THE AUTHOR: By 90, you have seen and experienced just about everything. Great sorrows and great joys, for sure. When you’re young, emotions seem to cascade, one quickly toppling over another. But by 90 you have grown pretty darn savvy—not only in the ways of the body but also of the spirit. You start to take every momentous thing in life with a grain of salt. And maybe a laugh. Ninety and my mom just fit together so well.

AUTHOR’S PHOTO CAPTION: Mom and me at my daughter’s wedding, September 2022 (Long Island, New York).

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ABOUT THE AUTHOR: Thomas Zampino, a Manhattan attorney, started writing poetry only recently. His work has appeared in The University of Chicago’s Memoryhouse Magazine, Silver Birch Press, Bard’s Annual (2019, 2020, 2021, 2022, and soon 2023), Trees in a Garden of Ashes, Otherwise Engaged, Chaos: A Poetry Vortex, Nassau County Voices in Verse, and No Distance Between Us. A video enactment of his poem Precise Moment was produced by Brazilian director and actor Gui Agustini. His first book of poetry, Precise Moment, was published in 2021. His second book of poetry, synchronicity, was published in 2023 by Southern Arizona Press. He is currently working on his third book of poetry for publication in 2024. Visit him at thomoaszampino.wordpress.com.