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I am waiting, still
by Yvette Viets Flaten

for that rejection I know is coming,
but why so long, I ask? What can
possibly take this long to decide?

I’m waiting, still, for the mousetrap
to spring, and the neighbor to haul
his garbage cans up the driveway,
and get a leash for his nosing dog.

I am still waiting for spring, for
daffodils, for party dresses and favors,
for church bells and peace.

I am still waiting for a decent night’s sleep.
For I’m sorry. For the right moment to get
started on sorting out the boxes of years
that got stacked up, somehow, without labels.
I’m sorry.

I’m still waiting for all the right answers. Still
sorry about all those waiting boxes with no labels.

IMAGE: Yellow Candy Box by Andy Warhol (1983)

NOTE FROM THE AUTHOR: I am always fascinated by the interweaving of the small and the large issues of life into one day’s fabric, from the scratchings of a mouse to the search for justice, and back again. And the need to be awake to what is in front of our eyes.

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ABOUT THE AUTHOR: Yvette Viets Flaten was born in Denver, Colorado, and grew up in an Air Force family, living in Nevada, North Dakota, and Washington State as well as France, England, and Spain. She holds a Bachelor of Arts in Spanish (1974) and a Master of Arts in History (1982) from the University of Wisconsin-Eau Claire. She writes both fiction and poetry and her award-winning poetry (Muse Prize, Jade Ring, Triad) has appeared in numerous journals, including the Wisconsin Academy Review, Rag Mag, Midwest Review, Free Verse, Red Cedar Review, and Barstow and Grand. In May 2020 she was interviewed by Garrison Keillor as part of his Pandemic Poetry Contest. Yvette’s poem “Riding It Out” was one of 10 winners. Find her interview with Garrison Keillor here.

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Poetry Box Instructions
by Tricia Marcella Cimera

Like the lamppost in Narnia,
the Poetry Box mysteriously
appears before you.
Who put this here, you wonder
but you don’t need to know that,
just walk up to it on this
quiet leafy side street. Stop.
Look, a poem is in the box.
Read that poem. Read it again.
A light turns on in your mind.
Who is Mary Oliver, you wonder.
What do I plan to do with my
“one wild and precious life”,
you wonder too, gazing
at the Poetry Box that holds
Mary’s poem “The Summer Day,”
and Mary’s question,
just for you, all for you,
because —
you stopped.

Appeared on the Highland Park Poetry website.

PHOTO: The Fox Poetry Box, St. Charles, Illinois, which features poetry from authors around the world. In this photo, the box features two poems by Tricia Marcella Cimera that originally appeared in Anti-Heroin Chic (November 2016). Photo by the author. 

NOTE FROM THE AUTHOR: This poem was written for and about my poetry box, The Fox Poetry Box in St. Charles, Illinois (established in 2016 beside the public sidewalk), as an introduction to what a Poetry Box is and how to approach it. My poetry box was created by and purchased from poetryboxes.com out of Oregon. It is made of cedar and magic. Please visit TFPB’s Facebook page!

Cimera Author Photograph

ABOUT THE AUTHOR: Tricia Marcella Cimera is a Midwestern poet with a worldview. Published works have appeared in places ranging from the Buddhist Poetry Review to The Ekphrastic Review.  Her micro-chapbook called GO SLOW, LEONARD COHEN was released through the Origami Poems Project.  One of her plum poems was pleased to receive a recent Pushcart Prize and another plum was happy to be awarded a Best of the Net nomination. Tricia lives with her husband and family of animals in Illinois, in a town called St. Charles, by a river named Fox, with a Poetry Box (also named Fox) in her front yard. 

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Crocheting – Nana’s Voice
by Julie A. Dickson

I can hear Nana’s voice:
crocheting is not knitting,
as she watched my hands struggle
with needles and yarn, dropped
stitches leaving holes everywhere.
Nana tatted lace and crocheted
fine even stitches on doilies,
tablecloths and afghans.
I decided to crochet at age 8.

Picture the finished project,
afghan, lap robe or shawl.

Yarn ready, crochet hook size 6.5
casting on is similar to knitting
single or double crochet — yay!
Much easier so far, keep going;
grab a stitch and catch a loop.
Oh no, my fingers are cramping,
look at the rows building; am I
crocheting an afghan? Mother
asked for afghans each year,
his and hers for their chairs;
how many did I crochet?

Fast forward thirty years.

Nana is gone, Mother is gone;
I’d forgotten how to crochet,
but a grandson on the way —
struggle to recall her voice;
cast on stitches, single, double;
count the rows, edge the sides
like a frame, now you’ve got it.

I cannot stop crocheting now;
baby afghan complete —
lap robes all around! Turquoise
and white, navy and maroon,
soon I’ll be broke from buying
all this yarn

DRAWING: The Crocheting Lesson by Mary Cassatt (1902).

NOTE FROM THE AUTHOR: I learned to crochet at age eight years, made countless doilies, pot holders, lap robes, and afghans. I finally stopped in my thirties, too busy with work and family for craft projects. In 2020, I was expecting my first grandchild and remembered back to my Nana, who had crocheted my baby blanket. For the past few months, during Covid, between working and visiting my grandson, I have, through many early attempts, finally achieved a decent afghan, crocheting until my hands hurt, a labor of love.

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ABOUT THE AUTHOR: Julie A. Dickson is a crocheting poet whose work addresses nature, environment, captive elephants, teen issues, and human events. Her poetry can be seen in Ekphrastic Review Silver Birch Press, Poetry Quarterly, The Avocet,  among other journals, or on Amazon for full length works. Dickson has two rescued feral cats called Cam and Claire who watch her crochet and play with the yarn.

healing garden

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NOTE: The Healing Garden, Mayo Clinic, Eau Claire, Wisconsin.

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NOTE FROM THE AUTHOR: Thank you to the thoracic surgeons, the surgical team, and the entire medical staff at the Mayo Clinic, Luther Campus, Eau Claire, Wisconsin, USA. My husband’s CABG was performed on September 4, 2020. Bruce is progressing well in his recovery. This was a shock to us, an unexpected development, for he is a healthy person (ah, genetics). I hold the deepest gratitude for our health-care professionals. They are the angels, the heroes, the bright spots, and the gift-givers. Prime Movers indeed.

PHOTO: The author’s husband at the Mayo Clinic, Eau Claire, Wisconsin. 

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ABOUT THE AUTHOR: Jeannie E. Roberts has authored four poetry collections,  including The Wingspan of Things (Dancing Girl Press, 2017), Romp and Ceremony (Finishing Line Press, 2017), Beyond Bulrush (Lit Fest Press, 2015), and Nature of it All (Finishing Line Press, 2013). In 2019, her second children’s book, Rhyme the Roost! A Collection of Poems and Paintings for Children, was released by Daffydowndilly Press, an imprint of Kelsay Books, Inc. She is also the author and illustrator of Let’s Make Faces! (author-published, 2009). An award-winning poet, she is a member of the Wisconsin Fellowship of Poets and is poetry reader and editor of the online literary magazine Halfway Down the StairsWhen she’s not reading, writing, or editing, you can find her drawing and painting, or outdoors photographing her natural surroundings.

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Patrick T. Reardon discusses his poetry collection, Requiem for David (Silver Birch Press, February 2017) and other writing in a Chicago Sun-Times feature published on July 20, 2017. Find the insightful article here.

Listen to a related podcast at this link.

Photo by Rich Hein, Chicago Sun-Times


Receptionist: Holyoke, Mass
by Janet Bowdan

Summers in high school I worked for my father
as his receptionist, answering phones, writing
appointments into the big datebook, canceling,
rescheduling, filing, transcribing his notes,
the normal stuff.  He’d introduce me to the patients
as his daughter, and they’d smile and tell me
what a good doctor he was (true) or they’d tell him
I was pretty and looked just like him (two comments
I considered mutually contradictory).  All normal.
He’d do rounds at the hospital in his lunch hour,
technically three hours.  Occasionally the ER would call
because someone was having a psychotic episode,
and he’d walk across to take care of it.
In the waiting room they were pretty quiet; maybe
they’d read a magazine, an old Punch or a recent People.
One time he called to say he’d be late; I explained
to the patients that he was in line waiting for gas–
it was the energy crisis, hostages in Iran, long lines
at the pumps.  The patients nodded, understanding
we had this in common, and they started chatting
to each other about prices and lines and these days.
There was a lot of waiting: appointments could run
10 minutes late, half an hour, an hour.  He’d never
shove a patient out in mid-trauma, though it’s true
he’d tell me to adjust the billing for the longer time.
When we got insurance checks, it gave him
a little happy bounce, even though Medicare
would take forever to come in and only be a fraction
of what he’d billed. My mother would get angry:
we have to pay our taxes on time, but they can take
as long as they want!  She did the taxes.  One day
my father came out of the inner office with a big guy,
Vietnam vet, they talked a bit and the vet left.  Come look
at this, my dad said, and I went in to see the toy train
set up in its tracks on the table.  You put it together?
I asked.  The train had a little trick to it; part of the track
was a U and the little train made it revolve in order to
go around the station.  My father could never figure it out.
No, the patient did.  He never talks. But he was sitting
looking at the train, and finally he said, “Why’s that
in pieces?”  I said, because I’m a klutz.  And he asked,
“Can I try?” and he fixed it in 5 seconds.  And then he talked.
Sometimes people called my dad a shrink, but he said,
he’s doesn’t shrink heads.  He expands them.

IMAGE: Portrait of Sigmund Freud by Andy Warhol (1980).

NOTE FROM THE AUTHOR: My father is now retired, but at the time I worked for him, he was the only psychiatrist in Western Massachusetts.  Even now I meet doctors who recognize my name because they’ve read his notes in their patient files, and I wonder if those were notes I typed up.

ABOUT THE AUTHOR: Janet Bowdan‘s poems have appeared in APR, Crazyhorse, VerseDenver Quarterly, Pinch, Free State Review, Peacock Journal, Best American Poetry 2000Poetry Daily, and elsewhere. The editor of Common Ground Reviewshe teaches at Western New England University and lives in Northampton, Massachusetts, with her husband, son, and sometimes a lovely stepdaughter or two.

Sam Silvas, author of the short story collection Stanton, California, will appear along with more than 100 authors at LitFest Pasadena, which will take place in Pasadena, California, on May 20 & 21, 2017. For a complete schedule of authors and events, visit litfestpasadena.org.
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What I Found
by Laurie Kolp

Buried in the sand, a new pack
of gum — green gum, to be exact
Extra spearmint like you used to chew.

It replaced the pack
of cigarettes you smoked each day
before your lung collapsed
like a sand castle marred with tar
from an oil spill.

The chewing gum a minty wave
attacking taste buds, opening
sinuses, unlike the first puff
that made you high
the first time you puffed
before one puff wasn’t enough.

As I walk by, I think about
the way you fell asleep, gum in mouth
and then woke up with sticky wads
of green on your white pillowcase.

Still, you wanted another piece, even
in the end when bedridden, your right arm
the only thing left to move. You said
it was all you had to do, chew gum while
lying there all day long, dying.

I brush the sand off the cellophane, pull
gold thread around the top like one
would do with a brand-new pack
of Marlboro Menthols, only
it’s Extra spearmint chewing gum.
I chew it in memory of you.
Thank God it’s sugar-free.

SOURCE: “What I Found” is featured in the author’s chapbook Hello, it’s Your Mother (Finishing Line Press, 2015) and in Mused: The BellaOnline Literary Review.

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ABOUT THE AUTHOR: Laurie Kolp, author of  Upon the Blue Couch and Hello, It’s Your Mother, has poems in Rust + Moth, Bracken, concis, Prelude, Crack the Spine, and more. She lives in Texas with her husband, three children, and two dogs. Learn more at lauriekolp.com.

PHOTO: The author during a beach trip, 2014.

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Sonnet on Being Seventeen
by Amanda Elfert

At seventeen, I didn’t know much just,
Not much of anything; painful hurts would cut.
I gazed in the mirror wishing I was what,
Guys found beautiful, not a red complexion.
But skin cleared for grad photos somewhat,
And graduation was a monumental strut;
Into the wide world of a young adult but —
Drunk for first time, on two pints of beer chugged.
But made great friends, started with tea, no fear —
When fortune teller read our palm, seer —
Said I was too quiet, had to live, learn not be,
Girl committing to first guy of her dreams.
Then off to Mexican Orphanage, saw clear,
Those in need, how vital is charity.

AUTHOR’S PHOTO CAPTION: Myself, age 17, at the San Diego Zoo on my high school’s mission and services trip to an orphanage in Mexico.

NOTE FROM THE AUTHOR: I think seventeen is such an age of change for young people. It’s on the cusp of finally being free and able to do more of what you like in life and less of what you’re told. It’s finding out that even with newfound freedoms there is still responsibility. And later in life remembering, you are never so free as you are at the end of high school and in university. You are free in ways you cannot comprehend and will never be again.

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ABOUT THE AUTHOR: Amanda Eifert is a writer and blogger in Edmonton, Alberta, Canada. She has poetry and short fiction published online forSpillWords Magazine and SickLitMagazine. She has an English BA and has applied to an MFA program in Creative Writing. You can visit her blog at mandibelle16.wordpress.com to see where most of her work develops. She also conducts  writer/blogger interviews on her blog and does a variety of other writing.

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We are honored and pleased that Porter Square Books in Cambridge, Massachusetts, will host a reading for the Nancy Drew Anthology (Silver Birch Press, October 2016). East Coast authors featured in the 212-page collection of writing & art — Kathleen Aguero, Jessica Purdy, Ellen Cohen, Kristina England, and Sarah Nichols — will read their work included in the anthology. Details below.

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WHERE: Porter Square Books, 25 White Street, Cambridge, Massachusetts, 02140, 617-491-2220, portersquarebooks.com.

WHEN: Friday, 2/24/17, at 7 p.m.

WHO:  Kathleen Aguero, Jessica Purdy, Ellen Cohen, Kristina England, and Sarah Nichols will read selections from the Nancy Drew Anthology.